Negative Cutter
Eastern Promises (2007)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Negative Cutter
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Negative Cutter
Loverboy (2005)
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Negative Cutter
Being Julia (2004)
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Negative Cutter
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Negative Cutter
Chicago (2002)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Negative Cutter
Hedwig and the Angry Inch (2001)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Negative Cutter
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Negative Cutter
Picture Claire (2001)
Directed by: Bruce McDonald
Cinematography by: Miroslaw Baszak
Edited by: Michael Pacek
Negative Cutter
Formula 51 (2001)
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Edited by: David Wu
Cameras: Moviecam Cameras
Negative Cutter
Rare Birds (2001)
Directed by: Sturla Gunnarsson
Cinematography by: Jan Kiesser
Edited by: Jeff Warren
Negative Cutter
The Safety of Objects (2001)
Directed by: Rose Troche
Cinematography by: Enrique Chediak
Edited by: Geraldine Peroni
Negative Cutter
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Negative Cutter
Ginger Snaps (2000)
Directed by: John Fawcett
Cinematography by: Thom Best
Edited by: Brett Sullivan
Negative Cutter
Requiem for a Dream (2000)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Cameras: Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Negative Cutter
American Psycho (2000)
Directed by: Mary Harron
Cinematography by: Andrzej Sekula
Edited by: Andrew Marcus
Negative Cutter
eXistenZ (1999)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Negative Cutter
The Cider House Rules (1999)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Negative Cutter
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Negative Cutter
Cube (1997)
Directed by: Vincenzo Natali
Cinematography by: Derek Rogers
Edited by: John Sanders
Negative Cutter
Afterglow (1997)
Directed by: Alan Rudolph
Cinematography by: Toyomichi Kurita
Edited by: Suzy Elmiger
Cameras: ARRIFLEX Camera
Negative Cutter
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Negative Cutter
Death Wish V: The Face of Death (1994)
Directed by: Allan A. Goldstein
Cinematography by: Curtis Petersen
Edited by: Patrick Rand
Negative Cutter
The Ascent (1994)
Directed by: Donald Shebib
Cinematography by: David Connell
Edited by: Ron Wisman
Cameras: Panavision Cameras
Negative Cutter
Galaxies Are Colliding (1992)
Directed by: John Ryman
Cinematography by: Philip Lee
Edited by: Ivan Ladizinsky
