Mix Technician
Feast of Love (2007)
Directed by: Robert Benton
Cinematography by: Kramer Morgenthau
Edited by: Andrew Mondshein
Sound Re-recording Recordist
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)
Directed by: Larry Charles
Cameras: Panasonic AJ-HDC27 Varicam Camera
Recordist
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Sound Recordist
Sideways (2004)
Directed by: Alexander Payne
Cinematography by: Phedon Papamichael
Edited by: Kevin Tent
Cameras: Panavision Panaflex Platinum Camera
Dubbing Recordist
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Sound Mix Technician
Shall We Dance (2004)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Cameras: ARRI Cameras
Sound Re-recordist
Monster (2003)
Directed by: Patty Jenkins
Cinematography by: Steven Bernstein
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Recordist
Biker Boyz (2003)
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Sound Recordist
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Sound Re-recordist
Open Water (2003)
Directed by: Chris Kentis
Edited by: Chris Kentis
Cameras: Sony DCR-VX2000 Camera, Sony DSR-PD150 Camera
Editing System: Final Cut Pro Editing System
Sound Re-recordist
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Sound Recordist
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Recordist
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Sound Recordist
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Recordist
Daddy and Them (2001)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Cameras: Panavision Cameras
Sound Recordist
All the Pretty Horses (2000)
Directed by: Billy Bob Thornton
Cinematography by: Barry Markowitz
Edited by: Sally Menke
Recordist
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Machine Room Recordist
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Re-recordist
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Dubbing Recordist
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Sound Recordist
Dirty Work (1998)
Directed by: Bob Saget
Cinematography by: Arthur Albert
Edited by: George Folsey Jr.
Dubbing Recordist
Can't Hardly Wait (1998)
Cinematography by: Lloyd Ahern II
Edited by: Michael Jablow
Foley Recordist
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Recordist
As Good as It Gets (1997)
Directed by: James L. Brooks
Cinematography by: John Bailey
Edited by: Richard Marks
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Machine Room Recordist
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Sound Re-recordist
The Whole Wide World (1996)
Directed by: Dan Ireland
Cinematography by: Claudio Rocha
Edited by: Luis Colina
Foley Recordist
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Foley Recordist
Harriet the Spy (1996)
Directed by: Bronwen Hughes
Cinematography by: Francis Kenny
Edited by: Debra Chiate
Transfer Recordist
Primal Fear (1996)
Directed by: Gregory Hoblit
Cinematography by: Michael Chapman
Edited by: David Rosenbloom
Cameras: Panavision Panaflex Gold II Camera
Sound Re-recordist
The Dentist (1996)
Directed by: Brian Yuzna
Cinematography by: Levie Isaacks
Edited by: Christopher Roth
Foley Recordist
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Dubbing Recordist
Bulletproof (1996)
Directed by: Ernest R. Dickerson
Cinematography by: Steven Bernstein
Edited by: George Folsey Jr.
Transfer Recordist
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Foley Recordist
DragonHeart (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Sound Re-recordist: Todd-AO
Evita (1996)
Directed by: Alan Parker
Cinematography by: Darius Khondji
Edited by: Gerry Hambling
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Dubbing Recordist
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Transfer Recordist
Jade (1995)
Directed by: William Friedkin
Cinematography by: Andrzej Bartkowiak
Edited by: Augie Hess
Sound Engineer / Sound Technical Coordinator
The Prophecy (1995)
Directed by: Gregory Widen
Edited by: Sonny Baskin
Sound Technical Coordinator
Relentless IV: Ashes to Ashes (1994)
Directed by: Oley Sassone
Cinematography by: Russ Brandt
Edited by: Glenn Garland
Dubbing Recordist
Dances with Wolves (1990)
Directed by: Kevin Costner
Cinematography by: Dean Semler
Cameras: Panavision Cameras
Lenses: Panavision Lenses
