Boom Operator: Pick-Up Shots - U.S.
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Boom Operator: Additional Photography
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Boom Operator: First And Second Unit
Drillbit Taylor (2008)
Directed by: Steven Brill
Cinematography by: Fred Murphy
Boom Operator: Additional Photography
Zack and Miri Make a Porno (2008)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Boom Operator: Splinter Unit/second Unit
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Boom Operator
Superhero Movie (2008)
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Boom Operator
Knocked Up (2007)
Directed by: Judd Apatow
Cinematography by: Eric Alan Edwards
Cameras: Panavision Cameras
Boom Operator: Additional Photography
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Boom Operator
Waist Deep (2006)
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Boom Operator
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Boom Operator
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Boom Operator: Additional Photography
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Boom Operator
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Boom Operator: Re-shoots
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Boom Operator: Second Unit
National Security (2003)
Directed by: Dennis Dugan
Cinematography by: Oliver Wood
Edited by: Debra Neil-Fisher
Boom Operator
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Boom Operator: Additional Photography
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Boom Operator
The Master of Disguise (2002)
Directed by: Perry Andelin Blake
Cinematography by: Peter Lyons Collister
Cameras: Panavision Cameras
Utility Sound Technician
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Boom Operator
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Boom Operator: Second Unit
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Boom Operator: Film Pickups
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Boom Operator
Tortilla Soup (2001)
Directed by: Maria Ripoll
Cinematography by: Xavier Grobet
Edited by: Andy Blumenthal
Boom Operator: Second Unit
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Boom Operator
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
Boom Operator: Second Unit
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Boom Operator: Re-shoots
Get Carter (2000)
Directed by: Stephen Kay
Cinematography by: Mauro Fiore
Edited by: Gerald B. Greenberg
Boom Operator: Plate Unit
My Favorite Martian (1999)
Directed by: Donald Petrie
Cinematography by: Thomas E. Ackerman
Edited by: Malcolm Campbell
Boom Operator: Tank Unit
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras
Boom Operator: Additional Photography
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Boom Operator: Additional Photography
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Utility Sound Technician
Switchback (1997)
Directed by: Jeb Stuart
Cinematography by: Oliver Wood
Edited by: Conrad Buff IV
Boom Operator
That's Entertainment! III (1994)
Boom Operator
Live Wire (1992)
Directed by: Christian Duguay
Cinematography by: Jeffrey Jur
Edited by: Christopher Greenbury
Boom Operator
Critters 4 (1992)
Directed by: Rupert Harvey
Cinematography by: Thomas L. Callaway
Edited by: Terry Stokes
Boom Operator
Flight of Black Angel (1991)
Directed by: Jonathan Mostow
Cinematography by: Lee Redmond
Edited by: Barry Zetlin
Utility Sound Technician
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Cable Person
Welcome Home, Roxy Carmichael (1990)
Directed by: Jim Abrahams
Cinematography by: Paul Elliott
Edited by: Bruce Green