Compositing Supervisor: The Yard VFX
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Visual Effects Supervisor: The Yard VFX
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects: The Yard VFX
Nomadland (2020)
Directed by: Chloé Zhao
Cinematography by: Joshua James Richards
Cameras: ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXVII: The Boar and the Butterfly (2019)
Directed by: Tricia Brock
Cinematography by: Jean-Philippe Gossart
Edited by: Jay Prychidny
Digital Compositor: The Yard VFX
Ford v Ferrari (2019)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cameras: ARRI ALEXA LF Camera
Digital Compositor: SSVFX
The Irishman (2019)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXXII: Seven Strike as One (2019)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Jay Prychidny
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXXI: Requiem for the Fallen (2019)
Directed by: Paco Cabezas
Cinematography by: Sam McCurdy
Edited by: Erin Deck
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXX: Curse of the Red Rain (2019)
Directed by: Miles Millar
Cinematography by: Owen McPolin
Edited by: Ben Wilkinson
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXIX: Black Lotus, White Rose (2019)
Directed by: Miles Millar
Cinematography by: Owen McPolin
Edited by: Paul G. Day
Digital Compositor: Screen Scene
'Into the Badlands' Chapter XXVIII: Cobra Fang, Panther Claw (2019)
Directed by: Tricia Brock
Cinematography by: Jean-Philippe Gossart
Edited by: Erin Deck
Digital Compositor: Screen Scene
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Visual Effects: Screen Scene VFX
'Game of Thrones' The Spoils of War (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Digital Compositor: Screen Scene
The Killing of a Sacred Deer (2017)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRICAM Lite (LT) Camera
Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Digital Compositor: MPC
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Digital Compositor: Screen Scene - 6 Episodes, 2019
Into the Badlands (2015)
TV Series
Directed by: Paco Cabezas, Toa Fraser, David Dobkin, Guy Ferland, Nick Copus, Stephen Fung, James Marshall, Tricia Brock, Miles Millar, Wayne Yip
Cinematography by: Owen McPolin, Shane Hurlbut, Sam McCurdy, Daniel Aranyó, Nigel Willoughby, Denis Crossan, P.J. Dillon, Jean-Philippe Gossart
Digital Compositor
Maintenant ou jamais (2014)
Directed by: Serge Frydman
Cinematography by: Pierre-Hugues Galien
Edited by: Céline Kélépikis
Cameras: Red Epic Camera
Digital Compositor
Grace of Monaco (2014)
Directed by: Olivier Dahan
Cinematography by: Eric Gautier
Edited by: Olivier Gajan
Digital Compositor
Bicycling with Molière (2013)
Directed by: Philippe Le Guay
Cinematography by: Jean-Claude Larrieu
Edited by: Monica Coleman
Cameras: Red Epic Camera
Digital Compositor
Un bonheur n'arrive jamais seul (2012)
Directed by: James Huth
Cinematography by: Stéphane Le Parc
Edited by: Joëlle Hache
Digital Compositor
Do Not Disturb (2012)
Directed by: Yvan Attal
Cinematography by: Thomas Hardmeier
Edited by: Jennifer Augé
Cameras: ARRI ALEXA Camera
Digital Compositor
Astérix and Obélix: God Save Britannia (2012)
Directed by: Laurent Tirard
Edited by: Valérie Deseine
Cameras: ARRI ALEXA Camera
Digital Compositor
Day of the Falcon (2011)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Hervé Schneid
Visual Effects: Screen Scene VFX - 1 Episode, 2017, Visual Effects: SSVFX / Visual Effects: Screen Scene VFX - 3 Episodes, 2017-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
