Set Lighting Technician
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Lighting Technician: Day Player
'Better Call Saul' Pimento (2015)
Directed by: Thomas Schnauz
Cinematography by: Arthur Albert
Lighting Technician
Sicario (2015)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Lenses: Zeiss Master Prime Lenses
Lighting Technician: Day Player - 2 Episodes, 2015
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
Electrician - Second Unit
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Electrician
Jane Got a Gun (2015)
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Rigging Electrician / Rigging Gaffer
The Ridiculous 6 (2015)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Tom Costain
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lighting Technician: Day Player
'Better Call Saul' RICO (2015)
Directed by: Colin Bucksey
Cinematography by: Arthur Albert
Edited by: Kelley Dixon
Electrician
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Rigging Electrician
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Rigging Electrician
The Lone Ranger (2013)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Electrician
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Rigging Electrician
'In Plain Sight' The Medal of Mary (2012)
Directed by: Dan Lerner
Edited by: Josh Beal
Rigging Electrician
'In Plain Sight' Four Marshals and a Baby (2012)
Directed by: Andy Wolk
Edited by: Jennifer Barbot
Rigging Electrician
'In Plain Sight' Drag Me to Hell (2012)
Directed by: Bethany Rooney
Cinematography by: John B. Aronson
Rigging Electrician
'In Plain Sight' All's Well That Ends (2012)
Directed by: Dan Lerner
Edited by: Jennifer Barbot
Rigging Electrician
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Rigging Electrician
'In Plain Sight' Something Borrowed, Something Blew Up (2011)
Directed by: Michael Morris
Cinematography by: John B. Aronson
Edited by: Sarah Boyd
Rigging Electrician - 8 Episodes, 2011-2012
In Plain Sight (2008)
Directed by: Dan Lerner, Michael W. Watkins, Bryan Spicer, Bethany Rooney, Sam Weisman, Michael Morris, Fred Gerber, Michael Fields, Andy Wolk, John Badham, Tricia Brock, John Fortenberry, Rod Hardy, John T. Kretchmer, Mark Piznarski, John F. Showalter, Jesús Salvador Treviño, Ernest R. Dickerson, Félix Enríquez Alcalá, Stephen Hopkins, Leslie Libman, Anton Cropper, Charles Haid, Jerry Levine, Tawnia McKiernan, Deran Sarafian, Michael Zinberg, Jan Eliasberg, Matthew Penn, Lee Rose, Michael Schultz, David Warren
