Post-production Coordinator: Disney
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Post-production Coordinator: Disney
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Post-production Coordinator: Disney
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Post-production Coordinator: Disney
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Production Associate
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Post-production Coordinator: Disney
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Production Consultant
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Production Coordinator: Additional Second Unit
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Adr Coordinator
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Coordinator
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Production Coordinator
Taking Back Our Town (2001)
Directed by: Sam Pillsbury
Cinematography by: James Bartle
Edited by: Pamela Malouf
Visual Effects Staff Coordinator: Disney
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Production Coordinator: Los Angeles
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Production Coordinator: Los Angeles, Re-shoots
Dick (1999)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Mia Goldman
Assistant Production Coordinator: Napa
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Art Assistant
Johns (1996)
Directed by: Scott Silver
Cinematography by: Tom Richmond
Edited by: Dorian Harris
