Film Scanning And Recording
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Senior Graphic Artist: Hollywood Intermediate
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Title Design
Edison (2005)
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Line-up: Pacific Title
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Optical Effects
The Minus Man (1999)
Directed by: Hampton Fancher
Cinematography by: Bobby Bukowski
Edited by: Todd C. Ramsay
Effects Crew: Optical Illusions, Inc.
Susan's Plan (1998)
Directed by: John Landis
Cinematography by: Ken Kelsch
Edited by: Nancy Morrison
Optical Effects
Mortal Kombat: Annihilation (1997)
Directed by: John R. Leonetti
Cinematography by: Matthew F. Leonetti
Edited by: Peck Prior
Optical Effects
The Dentist (1996)
Directed by: Brian Yuzna
Cinematography by: Levie Isaacks
Edited by: Christopher Roth
Optical Camera
Return of the Living Dead III (1993)
Directed by: Brian Yuzna
Cinematography by: Gerry Lively
Edited by: Christopher Roth
Optical Effects
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Additional Visual Effects
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
Additional Roto Artist
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Optical Camera
Mission of Justice (1992)
Directed by: Steve Barnett
Cinematography by: Peter Fernberger
Edited by: Brent A. Schoenfeld
Visual Effects: Hollywood Optical Systems
Critters 4 (1992)
Directed by: Rupert Harvey
Cinematography by: Thomas L. Callaway
Edited by: Terry Stokes
Additional Visual Effects
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Optical Effects
Highlander II: The Quickening (1991)
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Roto Artist
Dolly Dearest (1991)
Directed by: Maria Lease
Cinematography by: Eric D. Andersen
Edited by: Geoffrey Rowland
Optical Effects
Evil Dead II (1987)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Kaye Davis
Visual Effects
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
