Colorist
Never Look Away (2018)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Zeiss Master Prime Lenses
Colorist
Snowden (2016)
Directed by: Oliver Stone
Cinematography by: Anthony Dod Mantle
Lenses: Leitz Summicron-C Series Lenses
Lead Digital Colourist
Türkisch für Anfänger (2012)
Directed by: Bora Dagtekin
Edited by: Charles Ladmiral
Cameras: ARRI ALEXA Camera
Lead Digital Colourist
Russendisko (2012)
Directed by: Oliver Ziegenbalg
Cinematography by: Tetsuo Nagata
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Digital Colorist
Anonymous (2011)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Peter R. Adam
Cameras: ARRI ALEXA Camera
Lead Digital Colourist
Bon appétit (2010)
Directed by: David Pinillos
Cinematography by: Aitor Mantxola
Edited by: Fernando Franco
Lead Digital Colourist
Mahler on the Couch (2010)
Cinematography by: Benedict Neuenfels
Edited by: Jochen Kunstler
Cameras: Red Digital Cinema Cameras
Digital Colorist
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Lead Digital Colorist: ARRI
Perfume: The Story of a Murderer (2006)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Alexander Berner
Supervising Digital Colourist, Supervising Digital Film Colorist
Tristan + Isolde (2006)
Directed by: Kevin Reynolds
Cinematography by: Arthur Reinhart
Edited by: Peter Boyle
Supervising Digital Colorist
Don't Come Knocking (2005)
Directed by: Wim Wenders
Cinematography by: Franz Lustig
Consultant Technical Director: Digital Pictures, Melbourne
Qi jian (2005)
Directed by: Hark Tsui
Cinematography by: Kwok-Man Keung
Edited by: Angie Lam
Lead Colourist: Optix Digital Picture
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Lead Digital Colourist
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Digital Compositor
Vortex (2001)
Directed by: Michael Pohl
Cinematography by: Dixie Schmiedle
Edited by: Uli Schön
Lead Digital Colourist: The PostHouse AG
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
