Senior Visual Effects Supervisor
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Artist: Lipsync Post
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Executive Visual Effects Supervisor: LipSync Post
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Executive Visual Effects Supervisor
Now Is Good (2012)
Directed by: Ol Parker
Cinematography by: Erik Wilson
Edited by: Peter Lambert
Lenses: Zeiss Master Prime Lenses
Executive Visual Effects Supervisor: LipSync Post
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: LipSync Post
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Executive Visual Effects Supervisor: Lipsync Post
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Visual Effects Supervisor
Lay the Favorite (2012)
Directed by: Stephen Frears
Cinematography by: Michael McDonough
Edited by: Mick Audsley
Cameras: Sony CineAlta F35 Camera
Executive Visual Effects Supervisor: Lipsync Post
My Week with Marilyn (2011)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Executive Visual Effects Supervisor: LipSync Post
Coriolanus (2011)
Directed by: Ralph Fiennes
Cinematography by: Barry Ackroyd
Edited by: Nicolas Gaster
Cameras: Aaton Penelope Camera
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Supervisor
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Executive Visual Effects Supervisor
The Great Ghost Rescue (2011)
Directed by: Yann Samuell
Cinematography by: Antoine Roch
Visual Effects Supervisor: Lip Sync Post
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Executive Visual Effects Supervisor: LipSync Post
W.E. (2011)
Directed by: Madonna
Cinematography by: Hagen Bogdanski
Edited by: Danny Tull
Lenses: Zeiss Ultra Prime Lenses
Executive Visual Effects Supervisor: LipSync Post
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Executive Visual Effects Supervisor
Wild Bill (2011)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Stuart Gazzard
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Executive Visual Effects Supervisor: Lipsync Post
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Executive Visual Effects Supervisor: Lip Sync Post
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Digital Compositor
Blitz (2011)
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Executive Visual Effects Supervisor: Lipsync Post
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Executive Visual Effects Supervisor: LipSync Post
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Visual Effects Supervisor: LipSync Post
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Visual Effects Supervisor: The Bluff Hampton Company
The Arbor (2010)
Directed by: Clio Barnard
Cinematography by: Ole Bratt Birkeland
Visual Effects Supervisor: LipSync Post
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Co-visual Effects Producer: Bluff Hampton Company
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Effects Artist
'Misfits' Episode #1.5 (2009)
Digital Effects Artist - 4 Episodes, 2009
Misfits (2009)
Directed by: Tom Green, Jonathan van Tulleken, Tom Harper, Wayne Yip, China Moo-Young, Owen Harris, Alex Garcia Lopez, William Sinclair, Nirpal Bhogal, William McGregor, Dusan Lazarevic, Lewis Arnold, Lawrence Gough, Amanda Boyle
Cinematography by: Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care
Edited by: Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras: Red One Camera
Digital Effects Artist
'Misfits' Episode #1.3 (2009)
Directed by: Tom Harper
Cinematography by: Christopher Ross
Edited by: David Head
Visual Effects Supervisor
1408 (2007)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Edited by: Peter Boyle
Digital Artist: The Senate VFX
The Da Vinci Code (2006)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Visual Effects Supervisor: The Senate Visual Effects
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Visual Effects Supervisor: The Senate VFX
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Visual Effects Supervisor
The Merchant of Venice (2004)
Directed by: Michael Radford
Cinematography by: Benoît Delhomme
Edited by: Lucia Zucchetti
Digital Artist / Senior Visual Effects Compositor
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Visual Effects Artist
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
