John Lake Harvey

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Digital Compositor

Seventh Son (2014)

Motion Picture

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Snow White and the Huntsman | ShotOnWhat?

Digital Compositor

Snow White and the Huntsman (2012)

Motion Picture

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?

Digital Compositor

Alvin and the Chipmunks: Chipwrecked (2011)

Motion Picture

Directed by: Mike Mitchell

Cinematography by: Thomas E. Ackerman

Edited by: Peter Amundson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Digital Compositor

Mr. Popper's Penguins (2011)

Motion Picture

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Digital Compositor

Hop (2011)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot, Gregory Perler

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Compositor: Rhythm & Hues Studios

The Cabin in the Woods (2011)

Motion Picture

Directed by: Drew Goddard

Cinematography by: Peter Deming

Edited by: Lisa Lassek

Digital Compositor

Yogi Bear (2010)

Motion Picture

Directed by: Eric Brevig

Cinematography by: Peter James

Edited by: Kent Beyda

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Compositor: Rhythm & Hues Studios

The A-Team (2010)

Motion Picture

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Digital Compositor: Rhythm & Hues Studios

Knight and Day (2010)

Motion Picture

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Digital Compositor: Rhythm & Hues Studios

Land of the Lost (2009)

Motion Picture

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Cirque du Freak: The Vampire's Assistant | ShotOnWhat?

Digital Compositor: Rhythm & Hues Studios

Cirque du Freak: The Vampire's Assistant (2009)

Motion Picture

Directed by: Paul Weitz

Cinematography by: James M. Muro

Edited by: Leslie Jones

Digital Compositor: Rhythm & Hues

The Incredible Hulk (2008)

Motion Picture

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Compositor: Rhythm & Hues

The Golden Compass (2007)

Motion Picture

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Compositor: Rhythm & Hues Studios

Evan Almighty (2007)

Motion Picture

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Digital Compositor: Rhythm & Hues

Superman Returns (2006)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Garfield: A Tail of Two Kitties | ShotOnWhat?

Digital Compositor: Rhythm & Hues Studios

Garfield: A Tail of Two Kitties (2006)

Motion Picture

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Compositor: Rhythm & Hues

Night at the Museum (2006)

Motion Picture

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

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John Lake Harvey

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Digital Compositor

Seventh Son (2014)

Digital Compositor

Snow White and the Huntsman (2012)

Digital Compositor

Alvin and the Chipmunks: Chipwrecked (2011)

Digital Compositor

Mr. Popper's Penguins (2011)

Digital Compositor

Hop (2011)

Compositor: Rhythm & Hues Studios

The Cabin in the Woods (2011)

Digital Compositor

Yogi Bear (2010)

Compositor: Rhythm & Hues Studios

The A-Team (2010)

Digital Compositor: Rhythm & Hues Studios

Knight and Day (2010)

Digital Compositor: Rhythm & Hues Studios

Land of the Lost (2009)

Digital Compositor: Rhythm & Hues Studios

Cirque du Freak: The Vampire's Assistant (2009)

Digital Compositor: Rhythm & Hues

The Incredible Hulk (2008)

Compositor: Rhythm & Hues

The Golden Compass (2007)

Compositor: Rhythm & Hues Studios

Evan Almighty (2007)

Digital Compositor: Rhythm & Hues

Superman Returns (2006)

Digital Compositor: Rhythm & Hues Studios

Garfield: A Tail of Two Kitties (2006)

Compositor: Rhythm & Hues

Night at the Museum (2006)

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