2nd Unit Sound Mixer
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Sound Mixer: Second Unit
The Hustle (2019)
Directed by: Chris Addison
Cinematography by: Michael Coulter
Edited by: Anthony Boys
Sound Mixer: Second Unit
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Sound Recordist: Additional Unit
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Additional Sound Mixer: Second Unit
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Boom Operator / Sound Mixer: Pre-shoot / Sound Mixer: Second Unit, UK
A Monster Calls (2016)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Cameras: ARRI ALEXA XT Camera
Additional Sound Mixer: Second Unit
Into the Woods (2014)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Boom Operator / Sound Mixer: Additional Photography
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Boom Operator
The Impossible (2012)
Directed by: J.A. Bayona
Cinematography by: Oscar Faura
Lenses: Zeiss Master Prime Lenses
Sound Maintenance
Late Bloomers (2011)
Directed by: Julie Gavras
Cinematography by: Nathalie Durand
Edited by: Pierre Haberer
Boom Operator / Sound Mixer: Second Unit
You Will Meet a Tall Dark Stranger (2010)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Boom Operator
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Boom Operator
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Boom Operator, Sound Mixer: Second Unit
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Boom Operator
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Boom Operator
Sleuth (2007)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Neil Farrell
Boom Operator
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Boom Operator
The Magic Flute (2006)
Directed by: Kenneth Branagh
Cinematography by: Roger Lanser
Edited by: Michael Parker
Boom Operator
Goya's Ghosts (2006)
Directed by: Milos Forman
Cinematography by: Javier Aguirresarobe
Edited by: Adam Boome
Boom Operator: London 2nd Unit
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Boom Operator
Match Point (2005)
Directed by: Woody Allen
Cinematography by: Remi Adefarasin
Edited by: Alisa Lepselter
Boom Operator
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Boom Operator
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Boom Operator
Gosford Park (2001)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Tim Squyres
Cameras: Panavision Panaflex Platinum Camera
Boom Operator
Love's Labour's Lost (2000)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Cover As Sound Mixer - 2wks / Boom Operator / Sound Mixer: 2 Weeks Cover Main Unit
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Boom Operator
Mrs Dalloway (1997)
Directed by: Marleen Gorris
Cinematography by: Sue Gibson
Edited by: Michiel Reichwein
Boom Operator
Anna Karenina (1997)
Directed by: Bernard Rose
Cinematography by: Daryn Okada
Edited by: Victor Du Bois
Boom Operator
The Portrait of a Lady (1996)
Directed by: Jane Campion
Cinematography by: Stuart Dryburgh
Edited by: Veronika Jenet
Boom Operator
Hamlet (1996)
Directed by: Kenneth Branagh
Cinematography by: Alex Thomson
Edited by: Neil Farrell
Boom Operator
Immortal Beloved (1994)
Directed by: Bernard Rose
Cinematography by: Peter Suschitzky
Edited by: Dan Rae
Sound Assistant
The Whistle Blower (1986)
Directed by: Simon Langton
Cinematography by: Fred Tammes
Edited by: Bob Morgan
Cameras: Panavision Cameras
