Distribution Partner: Lionsgate Team
All Is Lost (2013)
Directed by: J.C. Chandor
Edited by: Pete Beaudreau
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses
Editing System: Avid Editing System
Executive Producer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Executive Producer
The Expendables 2 (2012)
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Executive Producer
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Executive Producer
The Expendables (2010)
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Executive Producer
Saw V (2008)
Directed by: David Hackl
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Executive Producer
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Executive Producer
Thomas Kinkade's Christmas Cottage (2008)
Directed by: Michael Campus
Cinematography by: Robert Brinkmann
Edited by: Don Brochu
Executive Producer
Repo! The Genetic Opera (2008)
Directed by: Darren Lynn Bousman
Cinematography by: Joseph White
Edited by: Harvey Rosenstock
Cameras: Panavision Genesis Camera
Executive Producer
Drive Thru (2007)
Cinematography by: Vincent E. Toto
Edited by: Daniel R. Padgett
Cameras: Panavision Panaflex Gold II Camera
Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
Editing System: Avid Editing System
Executive Producer
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Executive Producer
Saw III (2006)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Executive Producer
Fido (2006)
Directed by: Andrew Currie
Cinematography by: Jan Kiesser
Edited by: Roger Mattiussi
Production Executive
Skinwalkers (2006)
Directed by: James Isaac
Edited by: Allan Lee
Cameras: Panavision Cameras
Executive Producer
Saw II (2005)
Directed by: Darren Lynn Bousman
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Senior Vice President: Acquisitions And Co-productions, Lions Gate Entertainment
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Executive Producer
House of the Dead 2 (2005)
Directed by: Michael Hurst
Cinematography by: Raymond Stella
Edited by: Joseph Gutowski
Executive Producer
La monja (2005)
Directed by: Luis de la Madrid
Cinematography by: David Carretero
Edited by: Bernat Vilaplana
Executive Producer
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Executive Producer
Saw (2004)
Directed by: James Wan
Cinematography by: David A. Armstrong
Edited by: Kevin Greutert
Co-producer
Girl with a Pearl Earring (2003)
Directed by: Peter Webber
Cinematography by: Eduardo Serra
Edited by: Kate Evans
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Set Production Assistant
Most Wanted (1997)
Directed by: David Hogan
Cinematography by: Marc Reshovsky
Cameras: Panavision Cameras
