John Vladic

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The Fabelmans | ShotOnWhat?

Dailies Colorist: Technicolor

The Fabelmans (2022)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

West Side Story | ShotOnWhat?

Colorist: Dailies

West Side Story (2021)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Greyhound | ShotOnWhat?

On Location Colorist

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

The Greatest Showman | ShotOnWhat?

Colorist: Dailies

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

The Post | ShotOnWhat?

Colorist: Dailies

The Post (2017)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The BFG | ShotOnWhat?

Colorist: Dailies

The BFG (2016)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

The Heat | ShotOnWhat?

Colorist: Dailies

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

A Late Quartet | ShotOnWhat?

Colorist: Dailies

A Late Quartet (2012)

Directed by: Yaron Zilberman

Cinematography by: Frederick Elmes

Edited by: Yuval Shar

We Need to Talk About Kevin | ShotOnWhat?

Colorist: Dailies

We Need to Talk About Kevin (2011)

Directed by: Lynne Ramsay

Cinematography by: Seamus McGarvey

Edited by: Joe Bini

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Return | ShotOnWhat?

Colorist

Return (2011)

Directed by: Liza Johnson

Cinematography by: Anne Etheridge

Edited by: Paul Zucker

Cameras: ARRIFLEX 416 Camera

Lenses: Cooke S4 Lenses

Knight and Day | ShotOnWhat?

Colorist: Dailies

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Going the Distance | ShotOnWhat?

Colorist

Going the Distance (2010)

Directed by: Nanette Burstein

Cinematography by: Eric Steelberg

Edited by: Peter Teschner

Salt | ShotOnWhat?

Colorist: Dailies

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

A Dog Year | ShotOnWhat?

Colorist: Dailies

A Dog Year (2009)

Directed by: George LaVoo

Cinematography by: Frederick Elmes

Edited by: Michael Taylor, Leo Trombetta

Cameras: ARRI Cameras

The Men Who Stare at Goats | ShotOnWhat?

Dailies Colorist: New York

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Doubt | ShotOnWhat?

Colorist: Dailies

Doubt (2008)

Directed by: John Patrick Shanley

Cinematography by: Roger Deakins

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Synecdoche, New York | ShotOnWhat?

Colorist: Dailies

Synecdoche, New York (2008)

Directed by: Charlie Kaufman

Cinematography by: Frederick Elmes

Edited by: Robert Frazen

Blur | ShotOnWhat?

Colorist: Film-to-HDTV Transfer

Blur (2007)

Directed by: Nick Briscoe

Cinematography by: Paul Van Haute

Edited by: Isaac Mell

Little Children | ShotOnWhat?

Colorist: Dailies

Little Children (2006)

Directed by: Todd Field

Cinematography by: Antonio Calvache

Edited by: Leo Trombetta

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Namesake | ShotOnWhat?

Colorist: Dailies

The Namesake (2006)

Directed by: Mira Nair

Cinematography by: Frederick Elmes

Edited by: Allyson C. Johnson

Kinsey | ShotOnWhat?

Colorist: Dailies

Kinsey (2004)

Directed by: Bill Condon

Cinematography by: Frederick Elmes

Edited by: Virginia Katz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

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