Digital Intermediate Account Executive: Technicolor Postworks
The Paperboy (2012)
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Account Executive
Moonrise Kingdom (2012)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Aaton A-Minima Camera, Aaton Xterà Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Digital Intermediate Account Executive
Margin Call (2011)
Directed by: J.C. Chandor
Cinematography by: Frank G. DeMarco
Edited by: Pete Beaudreau
Digital Intermediate Account Executive
Martha Marcy May Marlene (2011)
Directed by: Sean Durkin
Cinematography by: Jody Lee Lipes
Edited by: Zachary Stuart-Pontier
Cameras: ARRICAM Lite (LT) Camera
Digital Intermediate Executive Producer
Trust (2010)
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Digital Intermediate Executive Producer
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Digital Intermediate Executive Producer
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Digital Intermediate Executive Producer
Winter's Bone (2010)
Directed by: Debra Granik
Cinematography by: Michael McDonough
Edited by: Affonso Gonçalves
Cameras: Red One Camera
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Executive Producer
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Intermediate Executive Producer
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Account Manager: Technicolor New York
Rabbit Hole (2010)
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Joe Klotz
Cameras: Red One Camera
Digital Intermediate Executive Producer
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Digital Intermediate Producer
The Informant! (2009)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras: Red One Camera
Digital Intermediate Executive Producer
The Private Lives of Pippa Lee (2009)
Directed by: Rebecca Miller
Cinematography by: Declan Quinn
Edited by: Sabine Hoffman
Digital Intermediate Executive Producer
Cold Souls (2009)
Directed by: Sophie Barthes
Cinematography by: Andrij Parekh
Edited by: Andrew Mondshein
Digital Intermediate Executive Producer
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Digital Intermediate Producer
Big Fan (2009)
Directed by: Robert Siegel
Cinematography by: Michael Simmonds
Edited by: Josh Trank
Digital Intermediate Executive Producer: New York
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Digital Intermediate Executive Producer
The Wrestler (2008)
Directed by: Darren Aronofsky
Cinematography by: Maryse Alberti
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera
Digital Intermediate Producer
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Digital Intermediate Executive Producer
Afterschool (2008)
Directed by: Antonio Campos
Cinematography by: Jody Lee Lipes
Edited by: Antonio Campos
Cameras: ARRIFLEX 535 Camera
Digital Intermediate Executive Producer
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Producer
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Producer: TDI
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Digital Intermediate Producer
West 32nd (2007)
Directed by: Michael Kang
Cinematography by: Simon Coull
Edited by: David Leonard
Digital Intermediate Executive Producer
Hot Rod (2007)
Directed by: Akiva Schaffer
Cinematography by: Andrew Dunn
Edited by: Malcolm Campbell
Digital Intermediate Producer: New York, Technicolor Digital Intermediates
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Digital Film Producer
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
