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Halogen-Quartz Lighting | 44 Titles

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Frankie in Blunderland (2011)

Direct to Video | 2D | Color | 82 Minutes

Directed by | Caleb Emerson | Cinematography by | Caleb Emerson | Editing by | Caleb Emerson

Starring | Tommy Pistol, Thea Martin, Brett Hundley, David Reynolds

Cameras | Canon Cameras, Panasonic Cameras

Romans Road (2013)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 103 Minutes

Romans Road | ShotOnWhat?

Directed by | Helen Gibson | Cinematography by | Miguel Gonzalez, Steve Wargo | Editing by | Geoff McClelland

Starring | Tyler Gallant, Ben Edwards, Cassie Self, Arlene Newman-Van Asperen

Cameras | Sony PMW-F3 Camera

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Kai Rabe gegen die Vatikankiller (1998)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Kai Rabe gegen die Vatikankiller | ShotOnWhat?

Directed by | Thomas Jahn | Cinematography by | Piotr Lenar | Editing by | Andrea Mertens

Starring | Steffen Wink, Klaus J. Behrendt, Sandra Speichert, Stefan Jürgens

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL35 35 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens, Panavision Primo Anamorphic Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

Hemlock Grove (2013)

Television Series, Web Series | 2D | Color | 1.78:1 (16x9) | 46 Minutes

| Cinematography by | Fernando Argüelles, John Grillo, Steven Poster | Editing by | Paul G. Day, Don Cassidy, Bert Kish, James Coblentz, Jim Munro, Roslyn Kalloo, Monty DeGraff, Conrad Smart, Roger Mattiussi, Ronald Sanders, Michael G. England, David B. Thompson

Starring | Famke Janssen, Bill Skarsgård, Landon Liboiron, Joel de la Fuente

Cameras | ARRI ALEXA Camera, Canon EOS-C300 Camera

Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens

Terminal (2007)

Short Film | 2D | Color | 2.35:1 | 19 Minutes

Directed by | Fernando Beltran y Puga | Cinematography by | Angel Barroeta | Editing by | Jason Cross

Starring | Leah Loftin, Andy English, Ian Glinka, Hardev Singhsidhu

Cameras | Panasonic AG-HVX200 Camera, Panasonic Cameras

Misdirection (2011)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Al Stoffel | Cinematography by | Ronn Kilby | Editing by | Ronn Kilby

Starring | Karl Backus, Josee Brisebois, Aleksander D'Avignon, Tricia DeLaRosa

Cameras | Sony PMW-EX1R Camera

Molly’s Theory of Relativity (2013)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess

Starring | Reed Birney, Cady Huffman, Nicholas Lampiasi, Adam LeFevre

Cameras | Red One MX Camera

Lenses | ARRI / Zeiss Lenses, Zeiss Variable Prime Lenses

Trade of Innocents (2012)

Motion Picture | 2D | Color | 2.40:1 | 88 Minutes

Directed by | Christopher M. Bessette | Cinematography by | Philip Hurn | Editing by | Diane Brunjes

Starring | Dermot Mulroney, Mira Sorvino, John Billingsley, Trieu Tran

Cameras | Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Cockneys vs Zombies (2012)

Motion Picture | 2D | Color | 88 Minutes

Cockneys vs Zombies | ShotOnWhat?

Directed by | Matthias Hoene | Cinematography by | Daniel Bronks | Editing by | Neil Farrell, John Palmer

Starring | Rasmus Hardiker, Harry Treadaway, Michelle Ryan, Ashley Thomas

Cameras | ARRI Cameras

Lenses | Bausch & Lomb Lenses

Der Abschied (2003)

Motion Picture | 2D | Color | 1.85:1 | 20 Minutes

Der Abschied | ShotOnWhat?

Directed by | Sören Schulz | Cinematography by | Thomas Frischhut | Editing by | Sylvain Coutandin

Starring | Joscha Blankenburg, Jakob Ahrends, Sandra Nedeleff, Bärbel Röhl

Cameras | ARRI Cameras

The Moment After (1999)

Motion Picture | 2D | Color | 89 Minutes

The Moment After | ShotOnWhat?

Directed by | Wes Llewellyn | Cinematography by | Philip Hurn | Editing by | Wes Llewellyn

Starring | Julie Link, Mike Wilson, David A.R. White, Kevin Downes

Cameras | Aaton Cameras

Lenses | Cooke Lenses

Everything Put Together (2000)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Everything Put Together | ShotOnWhat?

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Radha Mitchell, Megan Mullally, Catherine Lloyd Burns, Jacqueline Heinze

Cameras | Sony DSR-PD100 Camera

Drowning Mona (2000)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Drowning Mona | ShotOnWhat?

Directed by | Nick Gomez | Cinematography by | Bruce Douglas Johnson | Editing by | Richard Pearson

Starring | Danny DeVito, Bette Midler, Neve Campbell, Jamie Lee Curtis

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Zooms Spherical Lenses

Neighbor (2009)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Robert A. Masciantonio | Cinematography by | MJ Schirmer | Editing by | R. Emmett Sibley

Starring | America Olivo, Christian Campbell, Joseph Aniska, Pete Postiglione

Cameras | Red One MX Camera

The Big Slice (1991)

Motion Picture | 2D | Other Project Resolution | Color | 86 Minutes

Directed by | John Bradshaw | Cinematography by | Ludek Bogner | Editing by | Nick Rotundo

Starring | Casey Siemaszko, Leslie Hope, Louis Ferreira, Kenneth Welsh

Cameras | ARRI ARRIFLEX Series Cameras

Além de Ti (2013)

Motion Picture | 2D | Color, Color | 2.39:1 | 92 Minutes

Além de Ti | ShotOnWhat?

Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco

Starring | Mário Spencer, Joana Costa, Sofia Reis, Joao Machado

Cameras | Canon EOS 550D Camera

Lenses | Canon Lenses

The Controller (2008)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 100 Minutes

Directed by | Frank Michels | Cinematography by | Steve Wargo | Editing by | Frank Michels, Jeff Niemoeller

Starring | Bob Rue, Tank Jones, Lolita Sahwany, John Dobradenka

Cameras | Sony HDW-F900 Camera

Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9

Southern Justice (2006)

Motion Picture | 2D | Color | 96 Minutes

Directed by | M.D. Selig | Cinematography by | Jorge Diaz-Amador | Editing by | Robert Cipriano, Michael Ekalo, M.D. Selig

Starring | M.D. Selig, Michael Childers, Lisa Robert, Rico Cymone

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux 11.5-138 mm T2.5 Lens, Kinoptik Tégéa 5.7mm f1.8 Lens, Optar Illumina S16 9.5 mm T1.3, Zeiss Super Speeds Mk II Lenses

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