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Panavision Lenses | 1288 Titles

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Phenomenon (1996)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green

Starring | John Travolta, Kyra Sedgwick, Forest Whitaker, Robert Duvall

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Smurfs (2011)

Motion Picture | 3D | Color | 1.85:1 | 103 Minutes

Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco

Starring | Hank Azaria, Katy Perry, Jonathan Winters, Neil Patrick Harris

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Classic Spherical Lenses

Million Dollar Baby (2004)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 132 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Hilary Swank, Clint Eastwood, Morgan Freeman, Jay Baruchel

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Mousehunt (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Gore Verbinski | Cinematography by | Phedon Papamichael | Editing by | Craig Wood

Starring | Nathan Lane, Lee Evans, Vicki Lewis, Maury Chaykin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

JCVD (2008)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Mabrouk El Mechri | Cinematography by | Pierre-Yves Bastard | Editing by | Kako Kelber

Starring | Jean-Claude Van Damme, Valérie Bodson, Hervé Sogne, Rock Chen

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lenses

The Rookie (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 120 Minutes

The Rookie | ShotOnWhat?

Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox

Starring | Clint Eastwood, Charlie Sheen, Raul Julia, Sonia Braga

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera

Lenses | Panavision Super Speed Lenses

Traffic (2000)

Motion Picture | 2D | Color | 1.85:1 | 147 Minutes

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | Michael Douglas, Benicio Del Toro, Catherine Zeta-Jones, Jacob Vargas

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mamma Mia! (2008)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Mamma Mia! | ShotOnWhat?

Directed by | Phyllida Lloyd | Cinematography by | Haris Zambarloukos | Editing by | Lesley Walker

Starring | Meryl Streep, Pierce Brosnan, Amanda Seyfried, Stellan Skarsgård

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Race to Witch Mountain (2009)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Race to Witch Mountain | ShotOnWhat?

Directed by | Andy Fickman | Cinematography by | Greg Gardiner | Editing by | David Rennie

Starring | Dwayne Johnson, Carla Gugino, AnnaSophia Robb, Alexander Ludwig

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Phoenix (1998)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Danny Cannon | Cinematography by | James L. Carter | Editing by | Zach Staenberg

Starring | Ray Liotta, Anthony LaPaglia, Daniel Baldwin, Jeremy Piven

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Tripping Forward (2009)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Directed by | Marcus Nash | Cinematography by | Patrick Michael Dolan | Editing by | Eric Gustafson, Mark Hosack, Joel Viertel

Starring | William Gregory Lee, Chris Fogleman, Angela Kinsey, Chris Chauncey

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Miss Potter (2006)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Miss Potter | ShotOnWhat?

Directed by | Chris Noonan | Cinematography by | Andrew Dunn | Editing by | Robin Sales

Starring | Renée Zellweger, Ewan McGregor, Emily Watson, Barbara Flynn

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Divine Secrets of the Ya-Ya Sisterhood (2002)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Callie Khouri | Cinematography by | John Bailey | Editing by | Andrew Marcus

Starring | Sandra Bullock, Ellen Burstyn, Fionnula Flanagan, James Garner

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

A Civil Action (1998)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Steven Zaillian | Cinematography by | Conrad L. Hall | Editing by | Wayne Wahrman

Starring | John Travolta, Robert Duvall, Kathleen Quinlan, Tony Shalhoub

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Hard Way (1991)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

The Hard Way | ShotOnWhat?

Directed by | John Badham | Cinematography by | Donald McAlpine, Robert Primes | Editing by | Tony Lombardo, Frank Morriss

Starring | Michael J. Fox, James Woods, Stephen Lang, Annabella Sciorra

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Alamo (2004)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

The Alamo | ShotOnWhat?

Directed by | John Lee Hancock | Cinematography by | Dean Semler | Editing by | Eric L. Beason

Starring | Dennis Quaid, Billy Bob Thornton, Emilio Echevarría, Jason Patric

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

A Merry War (1997)

Motion Picture | 2D | Color | 1.85:1 | 101 Minutes

Directed by | Robert Bierman | Cinematography by | Giles Nuttgens | Editing by | Bill Wright

Starring | Richard E. Grant, Helena Bonham Carter, Julian Wadham, Jim Carter

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The 13th Warrior (1999)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | John McTiernan, Michael Crichton | Cinematography by | Peter Menzies Jr. | Editing by | John Wright

Starring | Antonio Banderas, Diane Venora, Dennis Storhøi, Vladimir Kulich

Cameras | Panavision Cameras

Lenses | Panavision Lenses

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