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Panavision Lenses | 1200 Titles

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American Beauty (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 122 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury

Starring | Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Once Upon a Time in China III (1992)

Motion Picture | 2D | Color | 2.39:1 | 109 Minutes

Once Upon a Time in China III | ShotOnWhat?

Directed by | Hark Tsui | Cinematography by | Andrew Lau Wai-Keung | Editing by | Angie Lam, Marco Mak

Starring | Jet Li, Rosamund Kwan, Siu Chung Mok, Xin Xin Xiong

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Fan (1996)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Tony Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson, Christian Wagner

Starring | Robert De Niro, Wesley Snipes, Ellen Barkin, John Leguizamo

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Takers (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Takers | ShotOnWhat?

Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian

Starring | Chris Brown, Hayden Christensen, Matt Dillon, Michael Ealy

Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses | Panavision Primo Anamorphic Lenses

Cowboys & Aliens (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 119 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Jim May

Starring | Daniel Craig, Harrison Ford, Olivia Wilde, Abigail Spencer

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Kinsey (2004)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 118 Minutes

Directed by | Bill Condon | Cinematography by | Frederick Elmes | Editing by | Virginia Katz

Starring | Liam Neeson, Laura Linney, Chris O'Donnell, Peter Sarsgaard

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Letters from Iwo Jima (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 141 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox, Gary Roach

Starring | Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HVR-Z1U Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Playing by Heart (1998)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Willard Carroll | Cinematography by | Vilmos Zsigmond | Editing by | Pietro Scalia

Starring | Gillian Anderson, Ellen Burstyn, Sean Connery, Anthony Edwards

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

The Score (2001)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

The Score | ShotOnWhat?

Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Richard Pearson

Starring | Robert De Niro, Edward Norton, Marlon Brando, Angela Bassett

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Amazing Spider-Man (2012)

Motion Picture | 3D | Color | 2.39:1 | 136 Minutes

Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia

Starring | Andrew Garfield, Emma Stone, Rhys Ifans, Irrfan Khan

Cameras | Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

Coco Before Chanel (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Anne Fontaine | Cinematography by | Christophe Beaucarne | Editing by | Luc Barnier

Starring | Audrey Tautou, Benoît Poelvoorde, Alessandro Nivola, Marie Gillain

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

A History of Violence (2005)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 96 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Viggo Mortensen, Maria Bello, Ed Harris, William Hurt

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Antitrust (2001)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Peter Howitt | Cinematography by | John Bailey | Editing by | Zach Staenberg

Starring | Ryan Phillippe, Tim Robbins, Rachael Leigh Cook, Claire Forlani

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Loss of a Teardrop Diamond (2008)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman

Starring | Bryce Dallas Howard, Chris Evans, Will Patton, Ann-Margret

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

Dead Presidents (1995)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental

Starring | Larenz Tate, Keith David, Chris Tucker, Freddy Rodríguez

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

X-Men Origins: Wolverine (2009)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

X-Men Origins: Wolverine | ShotOnWhat?

Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill

Starring | Hugh Jackman, Liev Schreiber, Ryan Reynolds, Danny Huston

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

30 Days of Night (2007)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones

Starring | Josh Hartnett, Melissa George, Danny Huston, Ben Foster

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Apostle (1997)

Motion Picture | 2D | Color | 1.85:1 | 134 Minutes

Directed by | Robert Duvall | Cinematography by | Barry Markowitz | Editing by | Stephen Mack

Starring | Robert Duvall, Todd Allen, Paul Bagget, Lenore Banks

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Green Lantern (2011)

Motion Picture | 3D | Color | 2.35:1 | 114 Minutes

Green Lantern | ShotOnWhat?

Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird

Starring | Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

The Beaver (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

The Beaver | ShotOnWhat?

Directed by | Jodie Foster | Cinematography by | Hagen Bogdanski | Editing by | Lynzee Klingman

Starring | Mel Gibson, Jodie Foster, Anton Yelchin, Cherry Jones

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision G Series Anamorphic Lenses

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