Panavision E Series Anamorphic Lenses | 217 Titles
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Die Hard (1988)
Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste
Cameras | Panavision Panaflex Gold Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Lethal Weapon 3 (1992)
Directed by | Richard Donner | Cinematography by | Jan de Bont | Editing by | Robert Brown, Battle Davis
Cameras | Panavision Panaflex Platinum Camera
Kandahar (2023)
Falling Down (1993)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Paul Hirsch
Cameras | Panavision Panaflex Platinum Camera
Pokémon Detective Pikachu (2019)
Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Oscar and Lucinda (1997)
Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman
Cameras | Panavision Panaflex Gold II Camera
Beautiful Creatures (2013)
Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Speed (1994)
Directed by | Jan de Bont | Cinematography by | Andrzej Bartkowiak | Editing by | John Wright
Cameras | Beaumont Vista Vision Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Mission: Impossible – Ghost Protocol (2011)
Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch
Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Ready Player One (2018)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
Uncut Gems (2019)
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses
Sleepless (2017)
Directed by | Baran bo Odar | Cinematography by | Mihai Malaimare Jr. | Editing by | Robert Rzesacz
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses
Fantastic Beasts and Where to Find Them (2016)
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Christopher Robin (2018)
Directed by | Marc Forster | Cinematography by | Matthias Koenigswieser | Editing by | Matt Chesse
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Nixon (1995)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin
JFK (1991)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia
Lenses | Panavision E35 35 mm T2.0 Lens
Logan (2017)
Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera
