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Digital Intermediate Finishing Process | 1761 Titles

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Key of Brown (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 95 Minutes

Directed by | Vaughn Christion | Cinematography by | Oscar Patino | Editing by | Vaughn Christion

Starring | Verina Banks, Struggle E. Stylez, James Lyones, Jacque Dorsey

Cameras | Sony PMW-F3 Camera

Beast (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 94 Minutes

Directed by | Sam McKeith, Tom McKeith | Cinematography by | Michael Steel | Editing by | Paul Murphy

Starring | Garret Dillahunt, Chad McKinney, Angeli Bayani, Will Jaymes

Cameras | ARRI AMIRA Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens

Twixt (2011)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Mihai Malaimare Jr. | Editing by | Kevin Bailey, Glen Scantlebury, Robert Schafer

Starring | Val Kilmer, Bruce Dern, Elle Fanning, Ben Chaplin

Cameras | Sony HDW-F900 Camera

Focus (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 105 Minutes

Directed by | Glenn Ficarra, John Requa | Cinematography by | Xavier Grobet | Editing by | Jan Kovac

Starring | Will Smith, Margot Robbie, Rodrigo Santoro, Adrian Martinez

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

Roshtalivik (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 72 Minutes

Directed by | Nicholas J. Moore | Cinematography by | Nicholas J. Moore | Editing by | Nicholas J. Moore

Starring | Hauke Bahr, David Charles, Lee McCarty, Jake Douglas Smith

Cameras | Canon EOS Rebel T3i camera, Canon EOS-7D Camera

Collateral Beauty (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 97 Minutes

Directed by | David Frankel | Cinematography by | Maryse Alberti | Editing by | Andrew Marcus

Starring | Will Smith, Edward Norton, Kate Winslet, Michael Peña

Cameras | ARRI ALEXA XT Plus Camera

Lenses | ARRI / Zeiss Master Anamorphic Lenses

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Red Son (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 |

Directed by | Joaquín Pinedo | Cinematography by | Pablo Bermejo | Editing by | Pablo Bermejo

Starring | Julián Valcárcel, Diego Mout, Alberto Tiérrez

Cameras | Sony PMW-F55 Camera

Lenses | Zeiss Lenses

Raymond’s 5 (2017)

Motion Picture | 2D | 4K Project, UHD Project | Color |

Directed by | James Hastings | Cinematography by | Francis Cousins

Starring | Gareth Lawrence, Faith Elizabeth, Mo Idriss, Emily Highams

Cameras | Red Raven Camera

Lenses | Canon Lenses

The Hollars (2016)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 88 Minutes

Directed by | John Krasinski | Cinematography by | Eric Alan Edwards | Editing by | Heather Persons

Starring | Sharlto Copley, Charlie Day, Richard Jenkins, Anna Kendrick

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Blood Father (2016)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Steven Rosenblum

Starring | Mel Gibson, Erin Moriarty, Diego Luna, Michael Parks

Mechanic: Resurrection (2016)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Dennis Gansel | Cinematography by | Daniel Gottschalk | Editing by | Ueli Christen, Michael J. Duthie, Todd E. Miller

Starring | Jason Statham, Jessica Alba, Tommy Lee Jones, Michelle Yeoh

Cameras | Red Epic Camera, Red Scarlet Camera

War Dogs (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth

Starring | Jonah Hill, Miles Teller, Steve Lantz, Gregg Weiner

Cameras | ARRI ALEXA XT Camera

Anthropoid (2016)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler

Starring | Jamie Dornan, Cillian Murphy, Brian Caspe, Karel Hermánek Jr.

Cameras | ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Sausage Party (2016)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 89 Minutes

Directed by | Greg Tiernan, Conrad Vernon | Editing by | Kevin Pavlovic

Starring | Seth Rogen, Kristen Wiig, Jonah Hill, Alistair Abell

Pete’s Dragon (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Lowery | Cinematography by | Bojan Bazelli | Editing by | Lisa Zeno Churgin

Starring | Bryce Dallas Howard, Robert Redford, Oakes Fegley, Oona Laurence

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Cooke Anamorphic/i Prime Lenses

American Wedding (2003)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 96 Minutes

Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé

Starring | Jason Biggs, Alyson Hannigan, Seann William Scott, Eugene Levy

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Finding Dory (2016)

Motion Picture | 3D | 4K Project | Color | 1.85:1 | 97 Minutes

Directed by | Andrew Stanton, Angus MacLane | Cinematography by | Jeremy Lasky | Editing by | Axel Geddes

Starring | Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson

Ghostbusters (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.85:1, 2.39:1 | 116 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | Melissa Bretherton, Brent White

Starring | Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones

Cameras | ARRI ALEXA XT Camera

Lenses | Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

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