Fujifilm Eterna 500T 8573/8673 Neg. Film | 82 Titles
Fashion Victim (2009)
Le séminaire Caméra Café (2009)
Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber
Lenses | Angenieux Optimo 28-76 mm T2.6 Lens
Captain Phillips (2013)
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses
The Butler (2013)
Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz
Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Sound of Noise (2010)
Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses
Coward (2012)
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
Hak kuen (2006)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Wild Target (2010)
Directed by | Jonathan Lynn | Cinematography by | David Johnson | Editing by | Michael Parker
Cameras | ARRICAM Studio (ST) Camera
The Best Exotic Marigold Hotel (2011)
Directed by | John Madden | Cinematography by | Ben Davis | Editing by | Chris Gill
Lenses | Panavision Primo Anamorphic Lenses
Waitress (2007)
Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Exam (2009)
Directed by | Stuart Hazeldine | Cinematography by | Tim Wooster | Editing by | Mark Talbot-Butler
Cameras | Panavision Cameras
Shrink (2009)
Directed by | Jonas Pate | Cinematography by | Lukas Ettlin, Isaac Phillips | Editing by | Luis Carballar
Cameras | Panavision Cameras
Walled In (2009)
Directed by | Gilles Paquet-Brenner | Cinematography by | Karim Hussain | Editing by | Jackie Dzuba
Cameras | ARRIFLEX 535 B Camera
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
The Burrowers (2008)
Directed by | J.T. Petty | Cinematography by | Phil Parmet | Editing by | Andy Grieve, Robb Sullivan
Cameras | Panavision Cameras
Jiang shi xin zhan shi (2010)
Directed by | Dennis Law | Cinematography by | Herman Yau | Editing by | Chi Wai Yau
Cameras | Moviecam Compact Camera
L: Change the World (2008)
Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi
Cameras | ARRIFLEX 535 B Camera
Un homme qui crie (2010)
Directed by | Mahamat-Saleh Haroun | Cinematography by | Laurent Brunet | Editing by | Marie-Hélène Dozo
Cameras | Aaton 35-III Camera
