Entertainment One | 12 Titles
John Wick: Chapter 2 (2017)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff
Cameras | ARRI ALEXA XT Plus Camera
John Wick (2014)
Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir
Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens
Suburbicon (2017)
Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Miss Sloane (2016)
Directed by | John Madden | Cinematography by | Sebastian Blenkov | Editing by | Alexander Berner
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Cooke S4/i Lenses
On the Basis of Sex (2018)
Molly’s Game (2017)
Directed by | Aaron Sorkin | Cinematography by | Charlotte Bruus Christensen | Editing by | Alan Baumgarten, Elliot Graham, Josh Schaeffer
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
The BFG (2016)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRI ALEXA XT Series Cameras
The Spy Who Dumped Me (2018)
Directed by | Susanna Fogel | Cinematography by | Barry Peterson | Editing by | Jonathan Schwartz
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Overboard (2018)
Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall
Cameras | Sony PMW-F55 Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
La La Land (2016)
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
The Fabelmans (2022)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera
