Color | 3927 Titles
Gods and Monsters (1998)
Directed by | Bill Condon | Cinematography by | Stephen M. Katz | Editing by | Virginia Katz
Cameras | ARRIFLEX Camera
Finding Neverland (2004)
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Primary Colors (1998)
Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt
Cameras | ARRIFLEX Camera
A Few Good Men (1992)
Directed by | Rob Reiner | Cinematography by | Robert Richardson | Editing by | Robert Leighton, Steven Nevius
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Casino (1995)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
House of Tolerance (2011)
Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Fabrice Rouaud
Cameras | Moviecam Compact Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens
Stay Tuned (1992)
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Peter E. Berger
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Hunger Games (2012)
Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling
The Aviator (2004)
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker
Rust and Bone (2012)
Directed by | Jacques Audiard | Cinematography by | Stéphane Fontaine | Editing by | Juliette Welfling
Cameras | Red Epic Camera
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day
Lenses | Cooke S4 Lenses
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
My Week with Marilyn (2011)
Directed by | Simon Curtis | Cinematography by | Ben Smithard | Editing by | Adam Recht
Lenses | Cooke 5/i Lenses, Cooke S4 Lenses
20th Century Boys 1: Beginning of the End (2008)
Directed by | Yukihiko Tsutsumi | Cinematography by | Satoru Karasawa | Editing by | Nobuyuki Ito
Lenses | Fujinon E Series Lenses
Tucker and Dale vs Evil (2010)
Directed by | Eli Craig | Cinematography by | David Geddes | Editing by | Bridget Durnford
Cameras | Red One Camera
Se7en (1995)
Directed by | David Fincher | Cinematography by | Darius Khondji | Editing by | Richard Francis-Bruce
La source des femmes (2011)
Directed by | Radu Mihaileanu | Cinematography by | Glynn Speeckaert
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Speed Panchro Lenses, Schneider Lenses
Fly Away Home (1996)
Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
[Rec] 2 (2009)
Directed by | Jaume Balagueró, Paco Plaza | Cinematography by | Pablo Rosso | Editing by | David Gallart
Cameras | Panasonic Cameras, Sony HDW-750 Camera
Lenses | Canon HJ11ex4.7B 4.7-52 mm f1.9

































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