Color | 3927 Titles
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
Au bout du conte (2013)
Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud
Cameras | ARRI ALEXA Plus Camera
Le grand retournement (2013)
Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton
Cameras | Sony PMW-F3 Camera
20 ans d’écart (2013)
Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Foxfire (2012)
Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine
Cameras | ARRI ALEXA Camera
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Quartet (2012)
Trilogia II: I skoni tou hronou (2008)
Directed by | Theodoros Angelopoulos | Cinematography by | Andreas Sinanos | Editing by | Giorgos Helidonidis, Yannis Tsitsopoulos
Cameras | ARRIFLEX 535 Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Big Bad Wolves (2013)
Directed by | Aharon Keshales, Navot Papushado | Cinematography by | Giora Bejach | Editing by | Asaf Korman
Cameras | ARRI ALEXA Camera
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
Blood Ties (2013)
Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Plus Camera
Prisoners of the Sun (2013)
Directed by | Roger Christian | Cinematography by | Ed Wild | Editing by | Valerie Haaf, Alan Strachan
Cameras | ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera
Lenses | Angenieux Optimo Zoom Lenses
La disparition (2012)
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau
Cameras | ARRI ALEXA Camera
Puhdistus (2012)
Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens
Thérèse (2012)
Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange
Cameras | ARRI ALEXA Camera
Nous York (2012)
Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill
Cameras | ARRI ALEXA Camera
Something in the Air (2012)
Directed by | Olivier Assayas | Cinematography by | Eric Gautier | Editing by | Luc Barnier
Cameras | Aaton 35-III Camera, Aaton Penelope Camera
Mauvaise fille (2012)
Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet
Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses
Denis (2013)
Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera




















































