Color | 3927 Titles
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Annabelle (2014)
Drive Thru (2007)
Directed by | Brendan Cowles, Shane Kuhn | Cinematography by | Vincent E. Toto | Editing by | Daniel R. Padgett
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens
The Equalizer (2014)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Angenieux Optimo Anamorphic 56-152 mm A2S T4.0 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
’71 (2014)
Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera
Il villaggio di cartone (2011)
Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola
Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras
Keepsake (2008)
Directed by | Paul Moore | Cinematography by | Todd Gilpin | Editing by | Todd Gilpin
Cameras | Aaton XTR Prod Camera
Lenses | Cooke S4 Lenses
Hybrids (2015)
Directed by | Tony Randel | Cinematography by | David M. Rakoczy | Editing by | Tony Randel
Cameras | Sony Cameras, Sony PMW-F3 Camera
It’s a Lot (2013)
Directed by | Darwood Grace, Femi Oyeniran | Cinematography by | Richard Swingle | Editing by | Emanuele Giraldo
Cameras | ARRI ALEXA XT Camera
Lenses | ARRI Lenses
The November Man (2014)
Directed by | Roger Donaldson | Cinematography by | Romain Lacourbas | Editing by | John Gilbert
Cameras | ARRI ALEXA Plus Camera
Lenses | Hawk V-Lite Vintage´74 Lens
Teenage Mutant Ninja Turtles (2014)
Directed by | Jonathan Liebesman | Cinematography by | Lula Carvalho | Editing by | Joel Negron, Glen Scantlebury
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Me + Her (2014)
Kill Game (2018)
Directed by | Robert Mearns | Cinematography by | Andrew Strahorn | Editing by | Stephen J. Murray
Cameras | Blackmagic Cinema Camera
The Living (2014)
Directed by | Jack Bryan | Cinematography by | Aleksandar Kosutic | Editing by | Frank Reynolds
Cameras | Blackmagic Cinema Camera
Land Ho! (2014)
Directed by | Aaron Katz, Martha Stephens | Cinematography by | Andrew Reed | Editing by | Aaron Katz
Everybody Loves Raymond (1996)
| Cinematography by | Mike Berlin, Alessio Gelsini Torresi, Mikel Neiers | Editing by | Patricia Barnett, George Escobar, Jerry Davis, Frank Mazzaro
Cameras | Panavision Cameras
Michael Collins (1996)
Directed by | Neil Jordan | Cinematography by | Chris Menges | Editing by | J. Patrick Duffner, Tony Lawson
Schutzengel (2012)
Directed by | Til Schweiger | Cinematography by | Adrian Cranage | Editing by | Constantin von Seld
Lenses | Zeiss Master Prime Lenses
Let’s Be Cops (2014)
Directed by | Luke Greenfield | Cinematography by | Daryn Okada | Editing by | Bill Pankow, Jonathan Schwartz
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Stranger in the House (2015)
Directed by | Devon Gummersall | Cinematography by | David Maurice Gil | Editing by | Jacob Chase
Cameras | ARRI ALEXA Series Cameras
Lenses | Panavision PVintage Prime Lenses
