Color | 3927 Titles
The Drop (2014)
Directed by | Michaël R. Roskam | Cinematography by | Nicolas Karakatsanis | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses | Leitz Summilux-C Series Lenses
Big Trouble in Little China (1986)
Directed by | John Carpenter | Cinematography by | Dean Cundey | Editing by | Steve Mirkovich, Mark Warner, Edward A. Warschilka
Cameras | Panavision Cameras
Blow-Up (1966)
Directed by | Michelangelo Antonioni | Cinematography by | Carlo Di Palma | Editing by | Frank Clarke
Wadjda (2012)
Directed by | Haifaa Al-Mansour | Cinematography by | Lutz Reitemeier | Editing by | Andreas Wodraschke
Cameras | ARRI ALEXA Camera
Le Havre (2011)
Directed by | Aki Kaurismäki | Cinematography by | Timo Salminen | Editing by | Timo Linnasalo
Cameras | ARRI Cameras
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
St. Vincent (2014)
Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner
Birdman or (The Unexpected Virtue of Ignorance) (2014) 
Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Douglas Crise, Stephen Mirrione
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera
Atlas Shrugged: Who Is John Galt? (2014)
Directed by | James Manera | Cinematography by | Gale Tattersall | Editing by | Tony Ciccone, Mike Hugo
Cameras | Canon EOS-C500 Camera
Lenses | Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Canon K35 135 mm T2.0 Lens, Canon K35 24 mm T1.5 Lens, Canon K35 35 mm T1.3 Lens, Canon K35 50 mm T1.3 Lens, Canon K35 85 mm T1.3 Lens, Canon Lenses
Once Upon a Time in the West (1968)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Nino Baragli
Cameras | ARRIFLEX 35mm Cameras, Mitchell BNC Camera
Alien (1979)
Directed by | Ridley Scott | Cinematography by | Derek Vanlint | Editing by | David Crowther, Terry Rawlings, Peter Weatherley
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The King of Comedy (1982)
Directed by | Martin Scorsese | Cinematography by | Fred Schuler | Editing by | Thelma Schoonmaker
Cameras | ARRI ARRIFLEX Series Cameras
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
The New Avengers (1976)
| Cinematography by | Michael Reed, Ernest Steward, Henri Fiks, Gilbert Sarthre, Ian Wilson, James Allen, Jack Atcheler, Karol Ike, Dennis Miller | Editing by | Robert C. Dearberg, Ralph Sheldon, Alan Killick, Graeme Clifford, Eric Wrate, Eric Boyd-Perkins, Stephen Lawrence
Kolchak: The Night Stalker (1974)
| Cinematography by | Ronald W. Browne, Alric Edens, Donald Peterman, Eduardo Ricci | Editing by | Robert M. Leeds, John Elias, Anthony Redman, Larry Strong, Howard Terrill, Edward W. Williams, Ted Rich
The Night Strangler (1973)
The Night Stalker (1972)
Directed by | John Llewellyn Moxey | Cinematography by | Michel Hugo | Editing by | Desmond Marquette
The Harder They Come (1972)
Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White
Cameras | Canon Cameras
The Contender (2000)
