Rec. 709 Working Color Space | 39 Titles
Kompas (2024)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens
French Story (2024)
Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier
Lenses | Zeiss Jena Lens
Wortels Uit Blik (2022)
Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz
Cameras | Blackmagic Pocket Cinema Camera 6K Pro
Lenses | Zeiss Compact Prime CP.2 Lenses
Photocopier (2021)
Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi
Cameras | Red Monstro 8K Camera
The Thistle in the Kiss (2023)
Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Nikon - Nikkor Lenses
Arc de Barà (2016)
Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos
Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black
Innerself (2018)
Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu
Cameras | Panasonic Lumix DMC-GH5 Camera
Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens
Chelsea Lately (2007)
| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje
Lenses | Fujinon Lenses
Postpartum (2016)
Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang
Cameras | Panasonic VariCam 35
Wild for the Night (2016)
Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien
Cameras | Red Epic Dragon Camera
Triumph67 (2010)
Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker
Cameras | Sony PMW-EX3 Camera
Lenses | Canon FD Series Lenses
The Apostate: Call of the Revenant (2015)
Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd
Cameras | Panasonic Lumix DMC-GH2 Camera
Äkta människor (2012)
| Cinematography by | Trolle Davidson, Linus Rosenqvist, Frida Wendel, Andres Rignell | Editing by | Björn Kessler, Rickard Krantz, Kicki Niemi, Gustav Wachtmeister, Sofia Lindgren, Max Arehn
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
As Brasileiras (2012)
| Editing by | Leticia Giffoni, Eduardo Hartung, Danilo Lemos, Diana Vasconcellos
Cameras | Red Epic Camera
Blood River (2009)
Directed by | Adam Mason | Cinematography by | Stuart Brereton | Editing by | Adam Mason
Cameras | Sony HDW-F900 Camera
And They’re Off (2011)
Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers
Cameras | Canon Cameras
Bela Kiss: Prologue (2013)
Directed by | Lucien Förstner | Cinematography by | Sven Latzke | Editing by | Eric Kazak
Lenses | Zeiss Lenses, Zeiss Super Speed Lenses
Stefan v/s Kramer (2012)
Directed by | Sebastián Freund, Stefan Kramer, Leonardo Prieto | Cinematography by | Antonio Quercia | Editing by | Javier Estévez, Soledad Salfate
Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera