Color Encoding - DI/Video Working Color Space » Video (Gamma) Working Color Space

Canon EOS Standard Working Color Space : 1Rec. 601 Working Color Space : 1Rec. 709 Working Color Space : 39sRGB Working Color Space : 14

Video (Gamma) Working Color Space | 53 Titles

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Roses. Film-Cabaret (2021)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9), 1.85:1 | 78 Minutes

Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin

Starring | Dakh Daughters, Vlad Troitskiy, Ruslana Khazipova

Cameras | Canon EOS-1Ds Camera, Canon EOS-5D Mark III Camera, Sony α7S II Camera

Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens

Kompas (2024)

Short Film | 2D | 4K Project | Black & White | 2.0:1 | 21 Minutes

Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz

Starring | Robin Copier, Ilse Postma

Cameras | Red Komodo Camera

Lenses | Zeiss Compact Prime CP.3 25mm T2.1 Lens, Zeiss Compact Prime CP.3 35mm T2.1 Lens, Zeiss Compact Prime CP.3 50mm T2.1 Lens, Zeiss Compact Prime CP.3 85mm T2.1 Lens

French Story (2024)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 60 Minutes

Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier

Starring | Joshua Allsopp, Cal Duffy, Matthias Fettah

Lenses | Zeiss Jena Lens

Wortels Uit Blik (2022)

Short Film | 2D | 4K Project | Color | 2.39:1 | 15 Minutes

Directed by | Keno Aladjuz | Cinematography by | Mans Buskop | Editing by | Keno Aladjuz

Starring | Julius Appel, Michael Tiedtke, Frida Heijmen

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Zeiss Compact Prime CP.2 Lenses

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Sar (2016)

Short Film | 2D | 2K Project, HD Project, UHD Project | Color | 1.78:1 (16x9) | 38 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Stanislava Beretova, Rajbir Singh Dhillon, Timur Enaliev

Cameras | Canon EOS-5D Mark II Camera, GoPro HD Hero Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

Ambuli (2012)

Motion Picture | 3D | HD Project | Color | 2.39:1 | 139 Minutes

Directed by | Haresh Narayan, K. Hari Shankar | Cinematography by | Sathish G. | Editing by | K. Hari Shankar

Starring | Gokulnath, Parthiban, Srijith P.S., Ajai R.

Cameras | Panasonic AG-3DA1 Camera

Lenses | Panasonic Lenses

Arc de Barà (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | JC Ceinos | Cinematography by | JC Ceinos | Editing by | JC Ceinos

Starring | Trini Montoliu, Carlos Noriega, Pablo Van Der Nayar

Cameras | Canon EOS 600D Camera, Canon EOS Rebel T3i camera, Canon EOS-5D Mark II Camera, GoPro HERO4 Black

Lenses | Canon EF Series Lenses, Sigma 30mm f1.4 EX DC HSM Lens

Innerself (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Johnny Wu | Cinematography by | Peter Sampson | Editing by | Johnny Wu

Starring | Jason L. Wang, Mikhail Tot, Stephen Haas, Rosy Hong

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | Meike 25mm T2.2, Panasonic Lumix G X Vario 12-35mm f2.8 Lens, Panasonic Lumix G X Vario 35-100mm f2.8 Lens

Chelsea Lately (2007)

Television Series | 2D | Color | 1.78:1 (16x9) | 22 Minutes

| Cinematography by | Lee Rose | Editing by | Philip D. Favre, Ignacio Pinerua, Michelle Gevoian, Jason Gill, Kurt Heydle, Jason Wood, Josh Belson, Xiao Niu, Dave Wilson, Sean Hubbert, Karl Kimbrough, Gasper Chiaramonte, Phil Favre, Don Misraje

Starring | Chuy Bravo, Chelsea Handler, Mike Rock, Heather McDonald

Cameras | Sony Cameras, Sony HDC-1500 Camera, Sony HDC-2500s

Lenses | Fujinon Lenses

Postpartum (2016)

Short Film | 2D | 2K Project | Color | 2.39:1 | 24 Minutes

Directed by | Richard Bakewell, Lale Arpaci | Cinematography by | Chun Ming Huang

Starring | Danielle Harris, Jenny Curtis, Katie Beresford, Nicole Sterling

Cameras | Panasonic VariCam 35

Lenses | Schneider Lenses, Schneider Xenon FF Prime Lenses

Wild for the Night (2016)

Motion Picture | 2D, 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 100 Minutes

Directed by | Benny Boom | Cinematography by | Tommy Maddox-Upshaw | Editing by | Dan O'Brien

Starring | Madison Iseman, Caitlin McHugh, Danielle Savre, Tommy Flanagan

Cameras | Red Epic Dragon Camera

Triumph67 (2010)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 99 Minutes

Directed by | Dan Tanz | Cinematography by | Jeremy Wilker | Editing by | Dan Tanz, Jeremy Wilker

Starring | Kareem Aal, Adam Elsafy, Mohannad Ghawanmeh, Sarah Martens

Cameras | Sony PMW-EX3 Camera

Lenses | Canon FD Series Lenses

Kelly & Cal (2014)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Jen McGowan | Cinematography by | Philip Lott | Editing by | David Hopper

Starring | Juliette Lewis, Jonny Weston, Josh Hopkins, Cybill Shepherd

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Hawk V-Series Lenses

The Apostate: Call of the Revenant (2015)

Direct to Video | 2D | Color | 1.78:1 (16x9), 2.40:1 | 82 Minutes

Directed by | Andy Dodd | Cinematography by | Andy Dodd, Catherine Kerr-Phillips | Editing by | Andy Dodd

Starring | James Bryhan, Terri Dwyer, Anthony Webster, Bob Sanderson

Cameras | Panasonic Lumix DMC-GH2 Camera

Lenses | Zeiss DigiZoom Vario-Sonnar 17–112 mm T1.9 Lens

Poison Sky (0)

Direct to Video | 2D | Color | 1.78:1 (16x9) | 120 Minutes

Directed by | Steve Wargo | Cinematography by | Dustinn Craig, Jay Lee, Steve Wargo | Editing by | Steve Wargo

Starring | Tyler Gallant, Kevin Sorbo, Nicole A. Randall, Greg Joseph

Cameras | Sony PMW-F3 Camera, Sony PMW-F55 Camera

Lenses | Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Red Digital Cinema Lenses, Zeiss ZE Prime Lenses

Facing Sudan (2007)

Documentary | 2D | Color | 1.33:1 (4x3) | 90 Minutes

Directed by | Bruce David Janu

Cameras | Sony DCR-VX2000 Camera

Mojave Phone Booth (2006)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 88 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Annabeth Gish, Steve Guttenberg, Christine Elise, Tinarie van Wyk Loots

Cameras | Sony HVR-Z1U Camera

Route 30, Too! (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch

Starring | Noah Applebaum, Curtis Armstrong, Beth Behrs, Rodney Lee Conover

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

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