Sony S-Gamut Capture Color Encoding | 13 Titles
Venus Effect (2024)
Directed by | Andrew Burn | Cinematography by | Andrew Burn
Cameras | Sony Cameras, Sony ILME-FX3 Camera
Lenses | Sony G Master Series Lenses
Guldjakken – fra Struer til Hall of Fame (2018)
Directed by | Jesper Elming | Cinematography by | Claus Frederiksen
Cameras | Sony PXW-FS7 Camera
Lenses | Fujinon MK 18-55mm T2.9 Lens, Samyang VDSLR II Cine 85 mm T1.5 Lens, Sony G 18–110mm f4.0 Lens
Roses. Film-Cabaret (2021)
Directed by | Irena Stetsenko | Cinematography by | Serhiy Stetsenko | Editing by | Mykola Bazarkin
Lenses | Konica Hexanon AR 21mm f2.8 Lens, Konica Hexanon AR 28mm f1.8 Lens, Konica Hexanon AR 40mm f1.8 Lens, Konica Hexanon AR 50mm f1.7 Lens
FML (2016)
Directed by | Jason Nash | Cinematography by | Tobias Deml
Cameras | Sony α7R II Camera, Sony α7S II Camera
The End of the Dial (2021)
Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley
Cameras | Sony PXW-FS9 Camera
The Saint of the Impossible (2020)
Directed by | Marc Raymond Wilkins | Cinematography by | A. Burak Turan | Editing by | Jann Anderegg
Cameras | Sony CineAlta VENICE Camera
Lenses | Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Optica Elite 35 Anamorphic 100 mm T2.1 Lens, Optica Elite 35 Anamorphic 40 mm T2.1 Lens, Optica Elite 35 Anamorphic 75 mm T2.1 Lens
The Man in Room 6 (2022)
Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger
Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera
Lenses | Rokinon Lenses, SLR Magic Lenses
Operator (2016)
Directed by | Logan Kibens | Cinematography by | Steeven Petitteville | Editing by | Logan Kibens
Cameras | ARRI AMIRA Series Cameras, Sony α7S Camera
Lenses | Zeiss Lenses
Khaita Dance (2020)
Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov
Cameras | Sony α7 II Camera
Lenses | Sony G Series Lenses
Nécrologies (2018)
Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message
Cameras | Sony PMW-F3 Camera, Sony α7S Camera
Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens
Rattlesnake (2019)
Directed by | Zak Hilditch | Editing by | Merlin Eden
Cameras | Sony CineAlta VENICE Camera
Lenses | Kowa Cine Prominar Spherical Lenses
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
