Red Digital Cinema Cameras | 534 Titles
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Schemer (2010)
Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold
Cameras | Red One Camera
Lenses | Cooke S4 Lenses
The Green Hornet (2011)
Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Barmy (2012)
Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey
Cameras | Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
S. Darko (2009)
Directed by | Chris Fisher | Cinematography by | Marvin V. Rush | Editing by | Kent Beyda
Cameras | Red One Camera
Carancho (2010)
Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero
Cameras | Red One Camera
The Lovely Bones (2009)
My Bloody Valentine (2009)
Directed by | Patrick Lussier | Cinematography by | Brian Pearson | Editing by | Cynthia Ludwig, Patrick Lussier
Cameras | Red One Camera, Silicon Imaging SI-2K Camera
Please Kill Mr. Know It All (2012)
Directed by | Colin Carter, Sandra Feldman | Cinematography by | Pasha Patriki | Editing by | Michael P. Mason
Cameras | Red Digital Cinema Cameras
Lenses | Red Digital Cinema Lenses
The Baytown Outlaws (2012)
Directed by | Barry Battles | Cinematography by | David McFarland | Editing by | Sean Valla
Cameras | Red One Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens
The Amazing Spider-Man (2012)
Directed by | Marc Webb | Cinematography by | John Schwartzman | Editing by | Alan Edward Bell, Michael McCusker, Pietro Scalia
Cameras | Red Epic Camera
The Girl with the Dragon Tattoo (2011)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
ToyKhtoProyshovKrizVohon (2011)
Directed by | Mykhailo Illienko | Cinematography by | Oleksandr Kryshtalovych | Editing by | Viktor Malyarenko
Cameras | Red One Camera
Beginners (2010)
Directed by | Mike Mills | Cinematography by | Kasper Tuxen | Editing by | Olivier Bugge Coutté
Cameras | Red One Camera
Valhalla Rising (2009)
Directed by | Nicolas Winding Refn | Cinematography by | Morten Søborg | Editing by | Matthew Newman
Cameras | Red One Camera
G.I. Joe: The Rise of Cobra (2009)
Directed by | Stephen Sommers | Cinematography by | Mitchell Amundsen | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera
Atlas Shrugged: Part I (2011)
Directed by | Paul Johansson | Cinematography by | Ross Berryman | Editing by | Jim Flynn, Sherril Schlesinger
Cameras | Red One MX Camera
