ARRI ALEXA Series Cameras | 910 Titles
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
Io Capitano (2023)
Directed by | Matteo Garrone | Cinematography by | Paolo Carnera | Editing by | Marco Spoletini
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
John Wick: Chapter 4 (2023)
Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Nathan Orloff
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental ALFA Lenses, ARRI Signature Prime Lenses
May December (2023)
Directed by | Todd Haynes | Cinematography by | Christopher Blauvelt | Editing by | Affonso Gonçalves
Cameras | ARRI Alexa 35 Camera
Lenses | Kowa Cine Prominar Spherical Lenses
The Color Purple (2023)
Directed by | Blitz Bazawule | Cinematography by | Dan Laustsen | Editing by | Jon Poll
Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
The Teachers’ Lounge (2023)
Directed by | Ilker Çatak | Cinematography by | Judith Kaufmann | Editing by | Gesa Jäger
Cameras | ARRI ALEXA Mini Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
EO (2022)
Directed by | Jerzy Skolimowski | Cinematography by | Michal Dymek | Editing by | Agnieszka Glinska
Cameras | ARRI ALEXA Mini LF Camera
Lenses | Canon K35 Prime Lenses, Leica R Series Lenses
All Quiet on the Western Front (2022)
Directed by | Edward Berger | Cinematography by | James Friend | Editing by | Sven Budelmann
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera, Red Monstro 8K Camera, Sony CineAlta VENICE Camera
Lenses | ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Tribe7 Blackwing7 Lenses, Zeiss Compact Prime CP.3 Lenses
Close (2022)
Directed by | Lukas Dhont | Cinematography by | Frank van den Eeden | Editing by | Alain Dessauvage
Cameras | ARRI ALEXA Mini Camera
Lenses | Leitz Summilux-C Series Lenses
Causeway (2022)
Directed by | Lila Neugebauer | Cinematography by | Diego García | Editing by | Robert Frazen, Lucian Johnston
Cameras | ARRI ALEXA LF Camera
Lenses | Panavision H Series Lenses
From (2022)
| Cinematography by | Christopher Ball, David Geddes, David Greene, Dylan Macleod, Michael Wale | Editing by | Ana Yavari, Wendy Hallam Martin, Stephen Lawrence, Dan Briceno, Michele Conroy, Maxyme Tremblay
Cameras | ARRI ALEXA Series Cameras
The Batman (2022)
Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | William Hoy, Tyler Nelson
Lenses | ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses
Tár (2022)
Directed by | Todd Field | Cinematography by | Florian Hoffmeister | Editing by | Monika Willi
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
Living (2022)
Directed by | Oliver Hermanus | Cinematography by | Jamie Ramsay | Editing by | Chris Wyatt
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Empire of Light (2022)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Lee Smith
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses, Cooke S7/i Lenses
Triangle of Sadness (2022)
Directed by | Ruben Östlund | Cinematography by | Fredrik Wenzel | Editing by | Mikel Cee Karlsson, Ruben Östlund
Lenses | Zeiss Supreme Prime Series Lenses
The Banshees of Inisherin (2022)
Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen
Cameras | ARRI ALEXA Mini LF Camera
Lenses | ARRI Signature Prime Lenses
2030 (2024)
Directed by | Tim Eickhoff | Cinematography by | Tim Grau | Editing by | Tim Eickhoff, Tim Grau
Cameras | ARRI ALEXA Plus Camera
Lenses | Red Pro Zoom 18-85 mm T2.9 Lens
Silverstar (2022)
Directed by | Diede in 't Veld | Cinematography by | Ties Versteegh | Editing by | Jeffrey De Vore
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 180mm T2.8 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens, Cooke Anamorphic/i 75mm T2.3 Lens, Zeiss Master Zoom 16.5–110mm T2.6 Lens
RRR (2022)
Directed by | S.S. Rajamouli | Cinematography by | KK Senthil Kumar | Editing by | A. Sreekar Prasad
Cameras | ARRI ALEXA LF Camera
Lenses | ARRI Signature Prime Lenses
