ARRI ALEXA Series Cameras | 910 Titles
Lucy (2014)
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Julien Rey
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens
The SpongeBob Movie: Sponge Out of Water (2015)
Directed by | Paul Tibbitt, Mike Mitchell | Cinematography by | Phil Meheux | Editing by | David Ian Salter
Cameras | ARRI ALEXA Camera
Million Dollar Arm (2014)
Directed by | Craig Gillespie | Cinematography by | Gyula Pados | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Studio Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses
Fargo (2014)
| Cinematography by | Dana Gonzales, Craig Wrobleski, Matthew J. Lloyd | Editing by | Regis Kimble, Skip Macdonald, Bridget Durnford, Curtis Thurber, Henk Van Eeghen, Andrew Seklir
Cameras | ARRI ALEXA Plus Camera
Selfie (2014)
Directed by | Cristina Jacob | Cinematography by | Viorel Sergovici | Editing by | Ovidiu Vacaru
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark III Camera, GoPro HD Hero3 Camera, Red One MX Camera
The Heart Machine (2014)
Directed by | Zachary Wigon | Cinematography by | Robert Leitzell | Editing by | Ron Dulin, Louise Ford
Cameras | ARRI ALEXA Camera
Lenses | Cooke Varotal Lenses, Zeiss Lenses
Horrible Bosses 2 (2014)
Directed by | Sean Anders | Cinematography by | Julio Macat | Editing by | Eric Kissack
Cameras | ARRI ALEXA XT Camera
Lenses | Leitz Summilux-C Series Lenses
All About E (2015)
Directed by | Louise Wadley | Cinematography by | Justine Kerrigan | Editing by | Rowena Crowe
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
3 Days to Kill (2014)
Directed by | McG | Cinematography by | Thierry Arbogast | Editing by | Audrey Simonaud
Lenses | Technovision Lenses, Zeiss Super Speed Lenses
App (2013)
Directed by | Bobby Boermans | Cinematography by | Ezra Reverda | Editing by | Brian Ent
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Ultra Prime Lenses
A Long Way Down (2014)
Directed by | Pascal Chaumeil | Cinematography by | Ben Davis | Editing by | Chris Gill, Barney Pilling
Cameras | ARRI ALEXA Camera
Charlie Countryman (2013)
Directed by | Fredrik Bond | Cinematography by | Roman Vasyanov | Editing by | Hughes Winborne
Cameras | ARRI ALEXA Camera
The Single Moms Club (2014)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Galore (2013)
Directed by | Rhys Graham | Cinematography by | Stefan Duscio | Editing by | Andy Canny
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens
Wolf Creek 2 (2013)
Directed by | Greg McLean | Cinematography by | Toby Oliver | Editing by | Sean Lahiff
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens
Sex Tape (2014)
Directed by | Jake Kasdan | Cinematography by | Tim Suhrstedt | Editing by | Steve Edwards, Tara Timpone
Cameras | ARRI ALEXA XT Camera
The Fault in Our Stars (2014)
Directed by | Josh Boone | Cinematography by | Ben Richardson | Editing by | Robb Sullivan
Cameras | ARRI ALEXA XT Camera
Dallas Buyers Club (2013)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA Camera
Lenses | ARRI / Zeiss Lenses
Unbroken (2014)
Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres
Lenses | Zeiss Master Prime Lenses
The Two Faces of January (2014)
Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk C-Series Lenses
