ARRI ALEXA 65 Camera | 46 Titles
The Lion King (2019)
Directed by | Jon Favreau | Cinematography by | Caleb Deschanel | Editing by | Adam Gerstel, Mark Livolsi
Cameras | ARRI ALEXA 65 Camera
Wonder Woman 1984 (2020)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Richard Pearson
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Parasite (2019) 
Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang
Cameras | ARRI ALEXA 65 Camera
Doctor Sleep (2019)
Directed by | Mike Flanagan | Cinematography by | Michael Fimognari | Editing by | Mike Flanagan
Cameras | ARRI ALEXA 65 Camera
Lenses | Hasselblad Lenses
Knives Out (2019)
Passengers (2016)
Directed by | Morten Tyldum | Cinematography by | Rodrigo Prieto | Editing by | Maryann Brandon
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Primo 70 Lenses
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Solo: A Star Wars Story (2018)
If Beale Street Could Talk (2018)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA 65 Camera
Lenses | ARRI Rental Prime DNA Lenses
Bohemian Rhapsody (2018)
Live by Night (2016)
Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg
Cameras | ARRI ALEXA 65 Camera
War for the Planet of the Apes (2017)
Directed by | Matt Reeves | Cinematography by | Michael Seresin | Editing by | William Hoy, Stan Salfas
Cameras | ARRI ALEXA 65 Camera
The Girl in the Spider’s Web (2018)
Dogs of Berlin (2018)
| Cinematography by | Christoph Krauss, Frank Lamm | Editing by | Marc Hofmeister, Bobby Good
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | ARRI Rental Prime 65 28mm T4.0 Lens, ARRI Rental Prime DNA Lenses, Leitz Summilux-C Series Lenses
Dark (2017)
| Cinematography by | Nikolaus Summerer | Editing by | Robert Rzesacz, Anja Siemens, Denis Bachter, Boris Gromatzki, Simon Gstöttmayr, Sven Budelmann, Roan Densimbor
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Zeiss Ultra Prime Lenses
Altered Carbon (2018)
| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses
Bright (2017)
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Aaron Brock, Geoffrey O'Brien, Michael Tronick
Lenses | Panavision Lenses
Doctor Strange (2016)
Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses
Assassin’s Creed (2016)
Directed by | Justin Kurzel | Cinematography by | Adam Arkapaw | Editing by | Christopher Tellefsen
Cameras | ARRI ALEXA 65 Camera
The Boss (2016)
Directed by | Ben Falcone | Cinematography by | Julio Macat | Editing by | Craig Alpert
Cameras | ARRI ALEXA 65 Camera
Lenses | Leitz Summilux-C Series Lenses
