DJI | 20 Titles
Northern Lights (2016)
Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil
Cameras | Blackmagic Cinema Camera
The Misfit (2021)
Directed by | Chris Tailor | Cinematography by | Antonia Stylianou | Editing by | Chris Tailor
Cameras | Blackmagic URSA Mini Pro 4.6K G2 Camera
Lenses | Sigma Lenses, Tokina Lenses
Nomadland (2020)
Directed by | Chloé Zhao | Cinematography by | Joshua James Richards
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
The Beach House (2019)
Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier
Cameras | ARRI ALEXA Mini Camera
Empire Hotel (2018)
Directed by | Ivo Ferreira | Cinematography by | Susana Gomes | Editing by | Sandro Aguilar
Cameras | Sony α7S II Camera
Lenses | ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
A Spark in Nothing (2021)
Craig Ferguson’s Hobo Fabulous (2019)
The Resident (2018)
| Cinematography by | John Brawley, Hilda Mercado, Elliot Davis | Editing by | Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras | ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses | Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Everybody Happy (2016)
Directed by | Nic Balthazar | Cinematography by | Robrecht Heyvaert | Editing by | Philippe Ravoet
Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, ARRI AMIRA Camera, Blackmagic Pocket Cinema Camera
Lenses | ARRI Lenses, Canon Lenses
Super Power Beat Down (2012)
| Cinematography by | Joey Rassool, Chase Langely, Aaron Schoenke, Maury Covington Jr. | Editing by | Aaron Schoenke, Nikolay Zamkovoy
Cameras | Canon EOS-7D Camera, Canon EOS-C300 Camera, Panasonic Lumix DMC-GH4 Camera, Sony NEX-FS700 Camera
Sad Hill Unearthed (2017)
Directed by | Guillermo de Oliveira | Cinematography by | Guillermo de Oliveira | Editing by | Guillermo de Oliveira, Javier Duch
Cameras | Sony α7S II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Pickings (2018)
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morgan
Raymond’s 5 (2017)
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
Capsule (2015)
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
Annabelle Hooper and the Ghosts of Nantucket (2016)
Directed by | Paul Serafini | Cinematography by | Ryan Patrick Dean
Cameras | Sony PXW-FS7 Camera, Sony α7R II Camera
Lenses | Zeiss Compact Prime Lenses
Entourage (2015)
Directed by | Doug Ellin | Cinematography by | Steven Fierberg | Editing by | Jeff Groth
Cameras | ARRICAM Lite (LT) Camera