Panavision Camera Aperture | 470 Titles
The Ghastly Love of Johnny X (2012)
Directed by | Paul Bunnell | Cinematography by | Francisco Bulgarelli | Editing by | Russell Harnden III
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses | Hawk C-Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
From Hell (2001)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Peter Deming | Editing by | George Bowers, Dan Lebental
All the Pretty Horses (2000)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Far and Away (1992)
Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Larry Crowne (2011)
Directed by | Tom Hanks | Cinematography by | Philippe Rousselot | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Magnolia (1999)
Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor
Cameras | Panavision Cameras, Pathé Cameras
Lenses | Panavision Lenses
Reign of Fire (2002)
Directed by | Rob Bowman | Cinematography by | Adrian Biddle | Editing by | Thom Noble, Declan McGrath
Cameras | Panavision Cameras
Armageddon (1998)
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Unforgiven (1992) 
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Basic (2003)
Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.
Cameras | Panavision Panaflex Camera
Lions for Lambs (2007)
Directed by | Robert Redford | Cinematography by | Philippe Rousselot | Editing by | Joe Hutshing
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Confidences trop intimes (2004)
Directed by | Patrice Leconte | Cinematography by | Eduardo Serra | Editing by | Joëlle Hache
Cameras | Panavision Panaflex Millennium Camera
In Love and War (1996)
Directed by | Richard Attenborough | Cinematography by | Roger Pratt | Editing by | Lesley Walker
Lenses | Panavision Primo Anamorphic Lenses
Get Low (2009)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
Space Truckers (1996)
Directed by | Stuart Gordon | Cinematography by | Mac Ahlberg | Editing by | John Victor Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Down with Love (2003)
Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Royal Tenenbaums (2001)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Gods and Generals (2003)
Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers
Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses
