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16mm Camera Aperture | 28 Titles

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Following (1998)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 69 Minutes

Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan

Starring | Jeremy Theobald, Alex Haw, Lucy Russell

Cameras | ARRIFLEX 16BL Camera

Buffy the Vampire Slayer (1997)

Television Series | 2D | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern

Starring | Sarah Michelle Gellar, Nicholas Brendon, Alyson Hannigan, Anthony Head

Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Lenses

Magical Mystery Tour (1967)

Television Movie | 2D | Film Project | Color | 1.33:1 (4x3) | 55 Minutes

Directed by | George Harrison, John Lennon, Paul McCartney, Ringo Starr, Bernard Knowles | Cinematography by | Ringo Starr | Editing by | Roy Benson

Starring | John Lennon, Paul McCartney, George Harrison

Cameras | ARRIFLEX 16S Camera, Éclair NPR Camera

Lenses | Angenieux Lenses, Schneider Lenses

Body Melt (1993)

Direct to Video | 2D | Film Project | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy

Starring | Gerard Kennedy, Andrew Daddo, Ian Smith

Cameras | ARRIFLEX 16SR2 Camera

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

Room X (2008)

Motion Picture | 2D | Black & White | 1.33:1 (4x3) | 8 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Pen Williams

Starring | Andrew Lawton, Yuko Takahashi, Hiromi Saeki, Pen Williams

Cameras | Bolex H16 SB Camera

Lenses | Angenieux Lenses

The Rolling Stones Rock and Roll Circus (1996)

Documentary | 2D | Color | 65 Minutes

Directed by | Michael Lindsay-Hogg | Cinematography by | Anthony B. Richmond | Editing by | Ruth Foster, Robin Klein

Starring | Ian Anderson, Glenn Cornick, Clive Bunker, Tony Iommi

On the Battlefield (1972)

Documentary | 2D | Film Project | Black & White | 1.33:1 (4x3) | 90 Minutes

Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind

Starring | Preston Ewing, Charles Koen, Leon Page

Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera

Lenses | Angenieux Lenses

An American Family (1973)

Documentary, Miniseries | 2D | Film Project | Color | 1.33:1 (4x3) |

| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner

Starring | Patricia Loud, Bill Loud, Lance Loud, Kevin Loud

Cameras | Éclair NPR Camera

Lenses | Angenieux Lenses

Bless Their Little Hearts (1983)

Motion Picture | Black & White | 1.33:1 (4x3) | 80 Minutes

Directed by | Billy Woodberry | Cinematography by | Charles Burnett | Editing by | Billy Woodberry

Starring | Nate Hardman, Kaycee Moore, Angela Burnett, Ronald Burnett

Cameras | Éclair NPR Camera

Lenses | Angenieux Lenses

Green Planet (2003)

Short Film | 2D | Color | 1.85:1 | 13 Minutes

Directed by | Tyler Norman | Cinematography by | Tyler Norman | Editing by | Tyler Norman

Starring | Jared Cohn, Jonah Keel, Tyler Norman, Roy Parras

Cameras | Canon Scoopic 16 / 16M Camera

JFK (1991)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 189 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Joe Hutshing, Pietro Scalia

Starring | Kevin Costner, Gary Oldman, Jack Lemmon, Walter Matthau

Cameras | ARRIFLEX 16SR Camera, Panavision Panaflex Gold Camera

Lenses | Panavision E35 35 mm T2.0 Lens

To Here Knows When (2013)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 85 Minutes

Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie

Starring | Kitty Colquhoun, Patrick O'Brien, Hanna Stanbridge

Cameras | Éclair NPR Camera, Red One MX Camera

Lenses | Nikon - Nikkor Lenses

The Harder They Come (1972)

Motion Picture | 2D | Color | 1.33:1 (4x3), 1.66:1 | 120 Minutes

Directed by | Perry Henzell | Cinematography by | Peter Jessop, David McDonald, Franklyn St. Juste | Editing by | Seicland Anderson, John Victor Smith, Richard White

Starring | Jimmy Cliff, Janet Bartley, Carl Bradshaw, Ras Daniel Hartman

Cameras | Canon Cameras

’71 (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 99 Minutes

Directed by | Yann Demange | Cinematography by | Tat Radcliffe | Editing by | Chris Wyatt

Starring | Jack O'Connell, Sam Reid, Sean Harris, Paul Popplewell

Cameras | ARRI ALEXA Camera, ARRIFLEX 416 Camera

Lenses | Hawk V-Lite 16 Lens, Hawk V-Lite Vintage´74 Lens

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Always Something Better (1997)

Motion Picture | 2D | Color | 90 Minutes

Always Something Better | ShotOnWhat?

Directed by | Stephen Kinsella | Cinematography by | Jorge Diaz-Amador | Editing by | Kristin M. Frascione

Starring | Nicole Cannon, Chris Sery, Candis Cayne, Lina Bradford

Cameras | ARRIFLEX 16SR2 Camera

Lenses | Angenieux HEC 12-120 mm T2.1 Lens, Zeiss Super Speeds Mk I Lenses

My Dinner with Andre (1981)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Louis Malle | Cinematography by | Jeri Sopanen | Editing by | Suzanne Baron

Starring | Andre Gregory, Wallace Shawn, Jean Lenauer, Roy Butler

Cameras | ARRIFLEX 16SR Camera

Lenses | Zeiss Zoom Lenses

10 Cent Pistol (2014)

Motion Picture | 2D | Color | 91 Minutes

10 Cent Pistol | ShotOnWhat?

Directed by | Michael C. Martin | Cinematography by | Michael Fimognari | Editing by | Aram Nigoghossian

Starring | Jena Malone, JT Alexander, Damon Alexander, Joe Mantegna

Cameras | Aaton XTR Prod Camera

Lenses | Panavision Lenses, Panavision Primo Classic Spherical Lenses

17 Miracles (2011)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

17 Miracles | ShotOnWhat?

Directed by | T.C. Christensen | Cinematography by | T.C. Christensen | Editing by | Tanner Christensen

Starring | Jasen Wade, Emily Wadley, Jason Celaya, Natalie Blackman

Cameras | ARRIFLEX 16SR Camera, ARRIFLEX 435 Camera

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