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Digital Cinema | 1863 Titles

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The Grandmaster (2013)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon

Starring | Tony Chiu-Wai Leung, Ziyi Zhang, Jin Zhang, Chang Chen

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Qu’est-ce qu’on va faire de toi? (2012)

Television Movie | 2D | Color | 89 Minutes

Directed by | Jean-Daniel Verhaeghe | Cinematography by | Marc Falchier | Editing by | Dominique Faysse

Starring | Simon Abkarian, Françoise Gillard, Nicolas Rompteaux, Jérémie Duvall

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

Zulu (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet

Starring | Orlando Bloom, Forest Whitaker, Conrad Kemp, Inge Beckmann

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Des gens qui s’embrassent (2013)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Eric Elmosnino, Lou de Laâge, Kad Merad, Clara Ponsot

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Rue Mandar (2012)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont

Starring | Sandrine Kiberlain, Richard Berry, Emmanuelle Devos, Emmanuelle Bercot

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Comme un lion (2012)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Samuel Collardey | Cinematography by | Samuel Collardey, Charles Wilhelem | Editing by | Sylvie Lager

Starring | Mytri Attal, Marc Barbé, Jean-François Stévenin, Anne Coesens

Cameras | ARRI ALEXA Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Tu honoreras ta mère et ta mère (2012)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Directed by | Brigitte Roüan | Cinematography by | Agnès Godard | Editing by | Laurent Rouan

Starring | Nicole Garcia, Éric Caravaca, Patrick Mille, Michaël Abiteboul

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses

La grande boucle (2013)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille

Starring | Clovis Cornillac, Bouli Lanners, Ary Abittan, Bruno Lochet

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Bicycling with Molière (2013)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Philippe Le Guay | Cinematography by | Jean-Claude Larrieu | Editing by | Monica Coleman

Starring | Fabrice Luchini, Lambert Wilson, Maya Sansa, Camille Japy

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Max (2013)

Short Film | 2D | Color | 27 Minutes

Directed by | Roman Wyden | Cinematography by | Zach Voytas | Editing by | Nik Voytas

Starring | Steven Battaglia, Mike Boss, Guy Camilleri, Spencer Daniels

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Elle s’en va (2013)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Emmanuelle Bercot | Cinematography by | Guillaume Schiffman | Editing by | Julien Leloup

Starring | Catherine Deneuve, Némo Schiffman, Gérard Garouste, Camille

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bird People (2014)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Pascale Ferran | Cinematography by | Julien Hirsch | Editing by | Mathilde Muyard

Starring | Josh Charles, Anaïs Demoustier, Roschdy Zem, Radha Mitchell

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

100% cachemire (2013)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Valérie Lemercier | Cinematography by | Denis Lenoir | Editing by | Célia Lafitedupont

Starring | Valérie Lemercier, Gilles Lellouche, Samatin Pendev, Marina Foïs

Cameras | ARRI ALEXA Studio Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Les gamins (2013)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési

Starring | Alain Chabat, Max Boublil, Sandrine Kiberlain, Mélanie Bernier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

La dune (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Yossi Aviram | Cinematography by | Antoine Héberlé

Starring | Niels Arestrup, Lior Ashkenazi, Guy Marchand, Emma de Caunes

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Le coeur des hommes 3 (2013)

Motion Picture | 2D | Color | 114 Minutes

Directed by | Marc Esposito | Cinematography by | Pascal Caubère | Editing by | Benoît Alavoine

Starring | Bernard Campan, Jean-Pierre Darroussin, Eric Elmosnino, Marc Lavoine

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Les invincibles (2013)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Frédéric Berthe | Cinematography by | David Quesemand | Editing by | Vanessa Basté, Hugues Darmois, Stéphane Garnier

Starring | Gérard Depardieu, Atmen Kelif, Virginie Efira, Daniel Prévost

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Collision (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey

Starring | Frank Grillo, Jaimie Alexander, Roschdy Zem, Marie-Josée Croze

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Au bout du conte (2013)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Directed by | Agnès Jaoui | Cinematography by | Lubomir Bakchev | Editing by | Fabrice Rouaud

Starring | Agathe Bonitzer, Agnès Jaoui, Arthur Dupont, Jean-Pierre Bacri

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Le grand retournement (2013)

Motion Picture | 2D | Color | 1.85:1 | 77 Minutes

Directed by | Gérard Mordillat | Cinematography by | François Catonné | Editing by | Marie Quinton

Starring | Jacques Weber, François Morel, Edouard Baer, Franck de la Personne

Cameras | Sony PMW-F3 Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses

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