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Foxfire (2012)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine

Starring | Raven Adamson, Katie Coseni, Madeleine Bisson, Claire Mazerolle

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Nymphomaniac: Vol. I (2013)

Motion Picture | 2D | Black & White, Color | 1.85:1, 2.39:1 | 117 Minutes

Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Starring | Charlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf

Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Big Bad Wolves (2013)

Motion Picture | 2D | Color | 110 Minutes

Directed by | Aharon Keshales, Navot Papushado | Cinematography by | Giora Bejach | Editing by | Asaf Korman

Starring | Lior Ashkenazi, Rotem Keinan, Tzahi Grad, Doval'e Glickman

Cameras | ARRI ALEXA Camera

Lone Survivor (2013)

Motion Picture | 2D | Color | 2.39:1 | 121 Minutes

Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.

Starring | Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster

Cameras | Phantom Flex Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Blood Ties (2013)

Motion Picture | 2D | Color | 127 Minutes

Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze

Starring | Clive Owen, Marion Cotillard, Billy Crudup, Mila Kunis

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Prisoners of the Sun (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Roger Christian | Cinematography by | Ed Wild | Editing by | Valerie Haaf, Alan Strachan

Starring | John Rhys-Davies, David Charvet, Carmen Chaplin, Emily Holmes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX D-20 Camera

Lenses | Angenieux Optimo Zoom Lenses

Puhdistus (2012)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Antti Jokinen | Cinematography by | Rauno Ronkainen | Editing by | Kimmo Taavila

Starring | Laura Birn, Liisi Tandefelt, Amanda Pilke, Peter Franzén

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Thérèse (2012)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Claude Miller | Cinematography by | Gérard de Battista | Editing by | Véronique Lange

Starring | Audrey Tautou, Gilles Lellouche, Anaïs Demoustier, Catherine Arditi

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Nous York (2012)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Hervé Mimran, Géraldine Nakache | Cinematography by | Stéphane Le Parc | Editing by | Benjamin Weill

Starring | Leïla Bekhti, Géraldine Nakache, Manu Payet, Nader Boussandel

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Mauvaise fille (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Patrick Mille | Cinematography by | Jérôme Alméras | Editing by | Yann Dedet

Starring | Carole Bouquet, Arthur Dupont, Izïa Higelin, Bob Geldof

Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke 5/i Lenses, Cooke S4 Lenses

Denis (2013)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Directed by | Lionel Bailliu | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri

Starring | Fabrice Eboué, Jean-Paul Rouve, Audrey Dana, Sara Giraudeau

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Un beau dimanche (2013)

Motion Picture | 2D | Color | 95 Minutes

Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet

Starring | Pierre Rochefort, Louise Bourgoin, Dominique Sanda, Déborah François

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

En solitaire (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Christophe Offenstein | Cinematography by | Guillaume Schiffman | Editing by | Ruy Diaz, Véronique Lange

Starring | François Cluzet, Samy Seghir, Virginie Efira, Guillaume Canet

Cameras | Red Epic Camera, Red Scarlet Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

À coup sûr (2014)

Motion Picture | 2D | Color | 91 Minutes

Directed by | Delphine de Vigan | Cinematography by | Antoine Monod | Editing by | Reynald Bertrand

Starring | Laurence Arné, Eric Elmosnino, Didier Bezace, Valérie Bonneton

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Dans la cour (2014)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Pierre Salvadori | Cinematography by | Gilles Henry | Editing by | Isabelle Devinck

Starring | Catherine Deneuve, Gustave Kervern, Féodor Atkine, Pio Marmaï

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Do Not Disturb (2012)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Yvan Attal | Cinematography by | Thomas Hardmeier | Editing by | Jennifer Augé

Starring | François Cluzet, Yvan Attal, Laetitia Casta, Charlotte Gainsbourg

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

Main dans la main (2012)

Motion Picture | 2D | Color | 1.85:1 | 81 Minutes

Directed by | Valérie Donzelli | Cinematography by | Sébastien Buchmann | Editing by | Pauline Gaillard

Starring | Valérie Lemercier, Jérémie Elkaïm, Béatrice de Staël, Valérie Donzelli

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Quelques heures de printemps (2012)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | Stéphane Brizé | Cinematography by | Antoine Héberlé | Editing by | Anne Klotz

Starring | Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Don-eui mat (2012)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Sang-soo Im | Cinematography by | Woo-hyung Kim | Editing by | Eun Soo Lee

Starring | Kang-woo Kim, Yun-shik Baek, Yuh Jung Youn, Hyo-jin Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Camille redouble (2012)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Annette Dutertre, Michel Klochendler

Starring | Noémie Lvovsky, Samir Guesmi, Judith Chemla, India Hair

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

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