Digital Cinema | 1863 Titles
Rock, Paper, Scissors (2017)
The Boonies (2017)
| Cinematography by | Tobias Deml | Editing by | Mark Marraccini, Monet Malek
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Super Speeds Mk I 18 mm T1.4 Lens, Zeiss Super Speeds Mk I 35 mm T1.4 Lens, Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I 85 mm T1.4 Lens
The Ballad of Buster Scruggs (2018)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Bruno Delbonnel | Editing by | Ethan Coen, Joel Coen
Drifter (2016)
Directed by | Chris von Hoffmann | Cinematography by | Tobias Deml | Editing by | Chris Visser
Cameras | Red Epic Dragon Camera
Nightmare Next Door (2011)
| Cinematography by | Randall Peck, Thomas Jacobi, Brian Noreika, Martin Filfil, Brian Hamm, Hossam Abdoul-Magd, Teall Harkey, Chip Nusbaum, John Kavanaugh, Lutz Goepfert, Stefan Wiesen, Danny Maneja, Michael Jordan, Eric Cochran, Nick Gardner, James Conant, Pat Kelly, Rob Featherstone, Brett Wiley | Editing by | John Benedetto, Arthur Hurley, Nick T. Anderson, Craig Moorhead, Jon Ross, Joi Shilling, Joey Rossetti, Bryan Fantinelli, Daniel Egan, Jason Lobe, Dave Kratz, Amy Overbeck, Joey Rosetti, Ryan Stone, Omar Teitelbaum, Mike Gehman, Alex Johnson, Jerry Katac, Paige Smith Lee, Tracy Baumgardner
Cameras | Sony PMW-F3 Camera
Aftermath (2017)
Directed by | Elliott Lester | Cinematography by | Pieter Vermeer | Editing by | Nicholas Wayman-Harris
Capernaum (2018)
Directed by | Nadine Labaki | Cinematography by | Christopher Aoun | Editing by | Konstantin Bock, Laure Gardette
Cameras | ARRI ALEXA Camera
Lenses | Hawk C-Series Lenses
Black Wedding (2015)
Directed by | Thomas Bohn | Cinematography by | Frank Glencairn
Cameras | Blackmagic Cinema Camera
Lenses | Zeiss Lenses
Live by Night (2016)
Directed by | Ben Affleck | Cinematography by | Robert Richardson | Editing by | William Goldenberg
Cameras | ARRI ALEXA 65 Camera
Deadwood: The Movie (2019)
Directed by | Daniel Minahan | Cinematography by | David Klein | Editing by | Erick Fefferman, Martin Nicholson
Cameras | ARRI ALEXA Mini Camera
Lenses | Zeiss Supreme Prime Series Lenses
Natural Born Pranksters (2016)
Directed by | Roman Atwood, Ben Pluimer | Cinematography by | Donny Anderson | Editing by | Ben Daughtrey, Benjamin Mitnick
Cameras | Blackmagic Cinema Camera
First Reformed (2017)
Directed by | Paul Schrader | Cinematography by | Alexander Dynan | Editing by | Benjamin Rodriguez Jr.
Cameras | ARRI ALEXA SXT Series Cameras
Andhadhun (2018)
Directed by | Sriram Raghavan | Cinematography by | K.U. Mohanan | Editing by | Pooja Ladha Surti
Cameras | ARRI ALEXA Camera
Sofia (2018)
Directed by | Meryem Benm'Barek-Aloïsi | Cinematography by | Son Doan | Editing by | Céline Perréard
Cameras | ARRI ALEXA Mini Camera
Lenses | Cooke S4/i Lenses
Mr. Robot (2015)
| Cinematography by | Tod Campbell, Tim Ives | Editing by | Franklin Peterson, John Petaja, Justin Krohn, Philip Harrison, Rosanne Tan, Joel T. Pashby, Sam Seig, Sharidan Williams-Sotelo, Joe Bini, Andrew Thompson
Cameras | Red Epic Dragon Camera
Hotel Mumbai (2018)
Directed by | Anthony Maras | Cinematography by | Nick Remy Matthews | Editing by | Anthony Maras, Peter McNulty
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera
Mary Poppins Returns (2018)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Starlet (2012)
Directed by | Sean Baker | Cinematography by | Radium Cheung | Editing by | Sean Baker
Cameras | Sony PMW-F3 Camera























































