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The Man in Room 6 (2022)

Motion Picture | 2D | 6K Project | Black & White, Color | 1.33:1 (4x3), 2.39:1 | 152 Minutes

Directed by | Trevor Juenger | Cinematography by | Dylan Schnitker, Joe Tello, Rexx Villotti | Editing by | Abbey Heise, Trevor Juenger

Starring | Jackie Kelly, Bill Oberst Jr., David Wassilak

Cameras | GoPro (Woodman Labs) Cameras, GoPro HERO4 Black, Panasonic Lumix DMC-GH5 Camera, Sony α7S II Camera

Lenses | Rokinon Lenses, SLR Magic Lenses

The Veil (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 93 Minutes

Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling

Starring | Jessica Alba, Thomas Jane, Lily Rabe

Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens

An Enchanted (2019)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 103 Minutes

Directed by | Christian Cashmir | Editing by | Christian Cashmir

Starring | Yao Tsai, Quinton Aaron, Ashleigh Blackburn

Cameras | ARRI ALEXA Mini Camera

Lenses | Canon CN-E Series Lenses, Fujinon XK Cabrio 20-120mm T3.5 Lens

The Thistle in the Kiss (2023)

Motion Picture | 2D | HD Project | Black & White, Color | 1.78:1 (16x9) | 80 Minutes

Directed by | Craig Andrew Robertson | Cinematography by | Calum Menzies | Editing by | C.J. Lazaretti

Starring | Leonora Cooke, Sarah Coyne, Craig Andrew Robertson

Cameras | Blackmagic Pocket Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses

The Protectors (2020)

Motion Picture | 4K Project | Color | 90 Minutes

Directed by | Ben Hughes | Cinematography by | Ben Hughes

Starring | Chris Abbey Jr., Gabriel Kamas, Chris Massoglia

Cameras | Panasonic Lumix DMC-GH4 Camera

Khaita Dance (2020)

Short Film | 2D | HD Project | Color | 1.78:1 (16x9) | 9 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Tatiana Bolotova, Mashe Braude, Carles Jañez Brucet, Nicola Cassano

Cameras | Sony α7 II Camera

Lenses | Sony G Series Lenses

Nécrologies (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 75 Minutes

Directed by | Fabien Chombart, Guillaume Defare, Nathalie Epoque, François Message, Alexis Wawerka | Cinematography by | Fabien Chombart, François Message, Guillaume Ogier | Editing by | Hugo Aribart, Fabien Chombart, Guillaume Defare, François Message

Starring | Jean-Claude Dreyfus, Sophie Jarmouni, Francesco Porcelli

Cameras | Sony PMW-F3 Camera, Sony α7S Camera

Lenses | Sony Prime 35 mm T2.0 PL Lens, Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

Killers Within (2018)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham

Starring | Sue Walsh, Jeff Doyle, Johnny Elliott

Cameras | Sony PXW-FS7 Camera

A Dream of Warsaw (2014)

Documentary | 2D | 2K Project | Black & White, Color | 1.78:1 (16x9) | 104 Minutes

Directed by | Krzysztof Magowski | Cinematography by | Maciej Magowski | Editing by | Maciej Magowski

Cameras | Canon Cameras, Sony NEX-FS100 Camera, Sony PMW-EX1R Camera

American: The Bill Hicks Story (2009)

Documentary | 2D | HD Project | Color | 1.78:1 (16x9) | 102 Minutes

Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas

Starring | Bill Hicks, Dwight Slade, Mary Hicks, Steve Hicks

Cameras | Sony PMW-350 Camera

Lenses | Fujinon Lenses

Runner (2018)

Short Film | 2D | 2K Project | Color | 2.39:1 | 31 Minutes

Directed by | Keno Aladjuz, Adelheid Bos, Lex Mannens | Editing by | Keno Aladjuz

Starring | Nadia van den Bulk, Nurya de Carvalho Tavares, Lazlo Cordua, Jip Elders

Cameras | Nikon Cameras

Julia (2019)

Short Film | 2D | 4K Project | Color | 2.39:1 | 38 Minutes

Directed by | Keno Aladjuz, Coen de Leeuwe | Cinematography by | Keno Aladjuz | Editing by | Keno Aladjuz, Coen de Leeuwe

Starring | Lena van Duifhuizen, Katie Geenen, Bart Vermaat, Finn de Rooij

Cameras | Red Scarlet Camera

Lenses | Samyang Lenses

Adjuration (2019)

Short Film | 2D | 4K Project | Color | 2.39:1 | 13 Minutes

Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco

Starring | Rossy Barranco, Daniel Pereira, Judith Batista, Pabel Núñez

Cameras | Blackmagic Pocket Cinema 4K Camera, Blackmagic Pocket Cinema Camera

Lenses | Rokinon XEEN 24mm T1.5 Lens, Rokinon XEEN Lenses

Johnny (2021)

Direct to Video | 2D | HD Project | Color | 2.35:1 | 107 Minutes

Directed by | John Charles Gerald | Cinematography by | John Charles Gerald

Starring | Bruce Bellinger, John Charles Gerald, Nick Gerald

Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera

Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses

Promised: A True Story (2021)

Direct to Video | 2D | HD Project | Color | 2.0:1 | 118 Minutes

Directed by | Yitzchok Zev Weisz | Cinematography by | Duvid Steinberg | Editing by | Duvid Steinberg, Yitzchok Zev Weisz

Cameras | Canon Cameras

Lenses | Canon EF Series Lenses

A Spark in Nothing (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 146 Minutes

Directed by | Griffin Loch | Cinematography by | Rob McPeters

Starring | Arielle Gottesman, Nika Balina, Corrinne Mica

Cameras | Sony α7R II Camera

Monstrosity (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 62 Minutes

Directed by | Josef Lichtenberger | Cinematography by | Josef Lichtenberger

Starring | Mathias Baldauf, Andreas Baumgartner, Stefan Baumgartner, Thomas Friedl

Cameras | Panasonic Lumix DMC-GH4 Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

Skinjob (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 15 Minutes

Directed by | Steve Simmons | Editing by | Wayne Daniells

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Spud (2009)

Short Film | 2D | HD Project | Color | 2.35:1 | 27 Minutes

Directed by | Tyler Norman | Cinematography by | Richard Bluth | Editing by | Timothy Atwood, Tyler Norman

Starring | Dalton O'Dell, A.J. Walsh, Tristan Jarred, Sterling Beaumon

Cameras | Panasonic VariCam Camera, Sony HDR-FX1 Camera

Lenses | Fujinon Lenses

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