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Wildfire Post Production Studios | 10 Titles

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Oldboy (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Spike Lee | Cinematography by | Sean Bobbitt | Editing by | Barry Alexander Brown

Starring | Josh Brolin, Elizabeth Olsen, Samuel L. Jackson, Sharlto Copley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera

Lenses | ARRI / Fujinon Lenses, Cooke 5/i Lenses

12 Years a Slave (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Chiwetel Ejiofor, Michael Kenneth Williams, Michael Fassbender, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Escape Plan (2013)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Mikael Håfström | Cinematography by | Brendan Galvin | Editing by | Elliot Greenberg

Starring | Sylvester Stallone, Arnold Schwarzenegger, 50 Cent, Vincent D'Onofrio

Cameras | ARRI ALEXA Camera

Lenses | Panavision Primo Primes Spherical Lenses

Olympus Has Fallen (2013)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Antoine Fuqua | Cinematography by | Conrad W. Hall | Editing by | John Refoua

Starring | Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Parker (2013)

Motion Picture | 2D | Color | 2.35:1 | 118 Minutes

Parker | ShotOnWhat?

Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner

Starring | Jason Statham, Jennifer Lopez, Michael Chiklis, Nick Nolte

Cameras | Red Epic Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses

50/50 (2011)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Jonathan Levine | Cinematography by | Terry Stacey | Editing by | Zene Baker

Starring | Joseph Gordon-Levitt, Seth Rogen, Anna Kendrick, Bryce Dallas Howard

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

American Reunion (2012)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Jon Hurwitz, Hayden Schlossberg | Cinematography by | Daryn Okada | Editing by | Jeff Betancourt

Starring | Jason Biggs, Alyson Hannigan, Seann William Scott, Chris Klein

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

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