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Soho VFX | 9 Titles

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The Greatest Showman (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 105 Minutes

Directed by | Michael Gracey | Cinematography by | Seamus McGarvey | Editing by | Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Starring | Hugh Jackman, Michelle Williams, Zac Efron

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

Indiana Jones and the Dial of Destiny (2023)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 154 Minutes

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Andrew Buckland, Michael McCusker, Dirk Westervelt

Starring | Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Revenant (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 156 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Emmanuel Lubezki | Editing by | Stephen Mirrione

Starring | Leonardo DiCaprio, Tom Hardy, Will Poulter

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses | Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Ad Astra (2019)

Motion Picture | 4K Project | Color | 2.39:1 | 123 Minutes

Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen

Starring | Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland

Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses | CamTec Lenses, Zeiss Master Prime Lenses

Ben-Hur (2016)

Motion Picture | 3D | Color | 2.39:1 | 123 Minutes

Directed by | Timur Bekmambetov | Cinematography by | Oliver Wood | Editing by | Dody Dorn, Richard Francis-Bruce

Starring | Jack Huston, Toby Kebbell, Rodrigo Santoro, Nazanin Boniadi

Cameras | ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

San Andreas (2015)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Directed by | Brad Peyton | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Dwayne Johnson, Carla Gugino, Alexandra Daddario, Colton Haynes

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Jack the Giant Slayer (2013)

Motion Picture | 3D | Color | 2.39:1 | 114 Minutes

Jack the Giant Slayer | ShotOnWhat?

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Bob Ducsay, John Ottman

Starring | Nicholas Hoult, Stanley Tucci, Ewan McGregor, Bill Nighy

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses | Panavision Primo Primes Spherical Lenses

47 Ronin (2013)

Motion Picture | 3D | Color | 2.39:1 | 128 Minutes

Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird

Starring | Keanu Reeves, Hiroyuki Sanada, Kô Shibasaki, Tadanobu Asano

Cameras | ARRI ALEXA Camera

Battle Los Angeles (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Liebesman | Cinematography by | Lukas Ettlin | Editing by | Christian Wagner

Starring | Aaron Eckhart, Michelle Rodriguez, Bridget Moynahan, Ramón Rodríguez

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

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