Modus FX | 12 Titles
Big Miracle (2012)
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Mr. Nobody (2009)
Directed by | Jaco Van Dormael | Cinematography by | Christophe Beaucarne | Editing by | Susan Shipton, Matyas Veress
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Master Prime Lenses
Immortals (2011)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom
Cameras | Panavision Genesis Camera, Phantom HD Gold Camera
Riddick (2013)
Directed by | David Twohy | Cinematography by | David Eggby | Editing by | Tracy Adams
Cameras | ARRI ALEXA Camera
Now You See Me (2013)
Directed by | Louis Leterrier | Cinematography by | Mitchell Amundsen, Larry Fong | Editing by | Robert Leighton, Vincent Tabaillon
This Is the End (2013)
Directed by | Evan Goldberg, Seth Rogen | Cinematography by | Brandon Trost | Editing by | Zene Baker
Cameras | Panavision Cameras, Red Epic Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Mirror Mirror (2012)
Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Robert Duffy, Nick Moore
Cameras | Sony CineAlta F35 Camera
Lenses | Panavision Primo Anamorphic Lenses
Parker (2013)
Directed by | Taylor Hackford | Cinematography by | James M. Muro | Editing by | Mark Warner
Cameras | Red Epic Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Super (2010)
Directed by | James Gunn | Cinematography by | Steve Gainer | Editing by | Cara Silverman
Cameras | Red One Camera
Jane Eyre (2011)
Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera