2D | 5452 Titles
Return (2011)
Directed by | Liza Johnson | Cinematography by | Anne Etheridge | Editing by | Paul Zucker
Cameras | ARRIFLEX 416 Camera
Lenses | Cooke S4 Lenses
Talent for the Game (1991)
Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Arthur Coburn
Cameras | Panavision Cameras
Shoot the Moon (1982)
Directed by | Alan Parker | Cinematography by | Michael Seresin | Editing by | Gerry Hambling
Cameras | Panavision Cameras
Asterix and Obelix vs. Caesar (1999)
Directed by | Claude Zidi | Cinematography by | Tony Pierce-Roberts | Editing by | Hervé de Luze, Nicole Saunier
Cameras | Panavision Cameras
Phantasm (1979)
Directed by | Don Coscarelli | Cinematography by | Don Coscarelli | Editing by | Don Coscarelli
Cameras | Panavision Cameras
Sanam (2000)
Directed by | Rafi Pitts | Cinematography by | Farhad Saba | Editing by | Hassan Hassandoost
Cameras | ARRI Cameras
Road Rage (2000)
Directed by | Sidney J. Furie | Cinematography by | Curtis Petersen | Editing by | Saul Pincus
Cameras | ARRI Cameras
Sweet Dreams (1985)
Directed by | Karel Reisz | Cinematography by | Robbie Greenberg | Editing by | Malcolm Cooke
Cameras | Panavision Cameras
One Night at McCool’s (2001)
Directed by | Harald Zwart | Cinematography by | Karl Walter Lindenlaub | Editing by | Bruce Cannon
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Antiviral (2012)
Directed by | Brandon Cronenberg | Cinematography by | Karim Hussain | Editing by | Matthew Hannam
Cameras | ARRI ALEXA Camera
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
The Last Waltz (1978)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Jan Roblee, Yeu-Bun Yee
Cameras | Panavision Cameras
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Enigma (2001)
Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Midnight in Paris (2011)
Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke 5/i Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses
Zero 2 (2010)
Directed by | Emilis Velyvis | Cinematography by | Robertas Pileckas | Editing by | Jonas Sunklodas
Cameras | Red One Camera
Polyester (1981)
Directed by | John Waters | Cinematography by | Dave Insley | Editing by | Charles Roggero
Cameras | ARRI Cameras
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Think Like a Man (2012)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot
Cameras | Red Epic Camera
Bucharestless (2011)
Directed by | George Dorobantu | Cinematography by | George Dorobantu, Alexandra M. Paun | Editing by | George Dorobantu
Cameras | Sony Other Camera
