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Hei mao zhi ci sha Ye Li Qin (1992)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Stephen Shin | Cinematography by | Siu-Keung Cheng, Chi-Wah Lee | Editing by | Wing-Ming Wong

Starring | Jade Leung, Robin Shou, Zoltan Buday, Craig Bruhnanski

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, Cooke Lenses

U-571 (2000)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman

Starring | Matthew McConaughey, Bill Paxton, Harvey Keitel, Jon Bon Jovi

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses

Gorky Park (1983)

Motion Picture | 2D | Color | 1.85:1 | 128 Minutes

Directed by | Michael Apted | Cinematography by | Ralf D. Bode | Editing by | Dennis Virkler

Starring | William Hurt, Lee Marvin, Brian Dennehy, Ian Bannen

Cameras | ARRI ARRIFLEX Series Cameras, J-D-C Camera

Cast Away (2000)

Motion Picture | 2D | Color | 1.85:1 | 143 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Helen Hunt, Paul Sanchez, Lari White

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Classic Spherical Lenses

The Saint (1997)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Val Kilmer, Elisabeth Shue, Rade Serbedzija, Valeriy Nikolaev

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Air Force One (1997)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce

Starring | Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Variable Prime Lenses

Winged Migration (2001)

Documentary | 2D | Color | 1.85:1 | 89 Minutes

Directed by | Jacques Perrin, Jacques Cluzaud, Michel Debats | Cinematography by | Olli Barbé, Michel Benjamin, Sylvie Carcedo, Laurent Charbonnier, Luc Drion, Laurent Fleutot, Philippe Garguil, Dominique Gentil, Bernard Lutic, Thierry Machado, Stéphane Martin, Fabrice Moindrot, Ernst Sasse, Michel Terrasse, Thierry Thomas | Editing by | Marie-Josèphe Yoyotte

Starring | Jacques Perrin, Philippe Labro

Cameras | Aaton 35-III Camera, Eclair Cameras, Panavision Cameras, Technovision Cameras

Lenses | Panavision Lenses

Anna Karenina (2012)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | Joe Wright | Cinematography by | Seamus McGarvey | Editing by | Melanie Oliver

Starring | Keira Knightley, Jude Law, Aaron Taylor-Johnson, Matthew Macfadyen

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Darkest Hour (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Starring | Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor

Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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