North America | 1782 Titles
Heaven Is for Real (2014)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | Panavision Genesis Camera
Parental Guidance (2012)
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
No Good Deed (2014)
Directed by | Sam Miller | Cinematography by | Michael Barrett | Editing by | Randy Bricker, Jim Page
Cameras | Sony CineAlta F65 Camera
Think Like a Man Too (2014)
Directed by | Tim Story | Cinematography by | Christopher Duskin | Editing by | Peter S. Elliot
Cameras | Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses | Panavision Super Speed Lenses
In & Out (1997)
Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Anastasia (1997)
Bad Santa 2 (2016)
Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard
Cameras | Panasonic VariCam 35
Lenses | Cooke Lenses
The Ridiculous 6 (2015)
Directed by | Frank Coraci | Cinematography by | Dean Semler | Editing by | Tom Costain
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Two Lovers and a Bear (2016)
Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Richard Comeau
Cameras | ARRI ALEXA XT Camera
Mean Dreams (2016)
Directed by | Nathan Morlando | Cinematography by | Steve Cosens | Editing by | Sandy Pereira, Ronald Sanders
Cameras | Red Epic Dragon Camera
Paterson (2016)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera
Guardians of the Galaxy Vol. 2 (2017)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Fred Raskin, Craig Wood
Cameras | Red Weapon Dragon Camera
Lenses | Panavision Primo 70 Lenses
Ride Along 2 (2016)
Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot
Cameras | Red Epic Dragon Camera
Lenses | Panavision Primo 70 Lenses
Term Life (2016)
Directed by | Peter Billingsley | Cinematography by | Roberto Schaefer | Editing by | Dan Lebental, Kevin Stermer
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
The Nice Guys (2016)
Directed by | Shane Black | Cinematography by | Philippe Rousselot | Editing by | Joel Negron
Cameras | ARRI ALEXA XT Camera
The American Side (2016)
Directed by | Jenna Ricker | Cinematography by | Frank Barrera | Editing by | Robert Grigsby Wilson
Cameras | ARRI ALEXA Camera
Exposed (2016)
Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London
Cameras | ARRI ALEXA Camera
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Jane Got a Gun (2015)
Directed by | Gavin O'Connor | Cinematography by | Mandy Walker | Editing by | Alan Cody
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses