Spherical Projection Format | 319 Titles
Surf’s Up (2007)
Funny Face (1957)
Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht
Cameras | VistaVision Cameras
Bolt (2008)
Directed by | Byron Howard, Chris Williams | Cinematography by | Scott Beattie | Editing by | Tim Mertens
Doubt (2008)
Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Chariots of Fire (1981) 
Cavalcade (1933)
The Broadway Melody (1929)
Directed by | Harry Beaumont | Cinematography by | John Arnold | Editing by | Sam Zimbalist, William LeVanway
Cameras | Technicolor System 2 Camera
All the King’s Men (1949)
Inside Out (2015)
Koyaanisqatsi (1982)
Directed by | Godfrey Reggio | Cinematography by | Ron Fricke | Editing by | Ron Fricke, Alton Walpole
Cameras | ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses | Canon Lenses
Press (2016)
Directed by | Paolo Bertino, Alessandro Isetta | Cinematography by | Federico Torres | Editing by | Enrico Giovannone, Anna Isberg, Luca Vigliani
Cameras | Red Epic Dragon Camera
Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 135 mm T2.1 Lens, Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 65 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens
Carol (2015)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves
Cameras | ARRIFLEX 416 Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Crimson Peak (2015)
Directed by | Guillermo del Toro | Cinematography by | Dan Laustsen | Editing by | Bernat Vilaplana
Cameras | ARRI ALEXA XT Camera
Warsaw ’44 (2014)
Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki
Cameras | ARRICAM Lite (LT) Camera
Filly Brown (2012)
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras | Red One MX Camera
Lenses | Zeiss Lenses
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Finding Nemo (2003)
Directed by | Andrew Stanton, Lee Unkrich | Cinematography by | Sharon Calahan, Jeremy Lasky, Jericca Cleland | Editing by | David Ian Salter
Spirited Away (2001)
Directed by | Hayao Miyazaki, Kirk Wise | Cinematography by | Atsushi Okui | Editing by | Takeshi Seyama
Monsters, Inc. (2001)
Directed by | Pete Docter, David Silverman, Lee Unkrich | Editing by | Robert Grahamjones, Jim Stewart
Shrek (2001)
