Spherical Projection Format | 319 Titles
The 39 Steps (1935)
Directed by | Alfred Hitchcock | Cinematography by | Bernard Knowles | Editing by | Derek N. Twist
Cameras | Mitchell BNC Camera
Downhill (1927)
Directed by | Alfred Hitchcock | Cinematography by | Claude L. McDonnell | Editing by | T.L. Rich, Ivor Montagu
Strangers on a Train (1951)
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Super Speed Lenses
Trap (2024)
Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk
Cameras | ARRICAM Lite (LT) Camera
The Ring Two (2005)
Directed by | Hideo Nakata | Cinematography by | Gabriel Beristain | Editing by | Michael N. Knue
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Touch of Evil (1958)
Directed by | Orson Welles | Cinematography by | Russell Metty | Editing by | Walter Murch, Aaron Stell, Virgil W. Vogel, Edward Curtiss
Cameras | Mitchell BNC Camera, Mitchell NC Camera
Othello (1951)
Directed by | Orson Welles | Cinematography by | G.R. Aldo, Anchise Brizzi, George Fanto, Alberto Fusi, Oberdan Troiani | Editing by | Jenö Csepreghy, Renzo Lucidi, William Morton, Jean Sacha
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Lenses | Cooke Speed Panchro Lenses
The Trial (1962)
Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Yvonne Martin, Frederick Muller, Orson Welles
Confidential Report (1955)
Directed by | Orson Welles | Cinematography by | Jean Bourgoin | Editing by | Renzo Lucidi, William Morton, Orson Welles
F for Fake (1973)
Directed by | Orson Welles, Gary Graver, Oja Kodar, François Reichenbach | Cinematography by | François Reichenbach | Editing by | Marie-Sophie Dubus, Dominique Engerer, Orson Welles
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
The Immortal Story (1968)
Directed by | Orson Welles | Cinematography by | Willy Kurant | Editing by | Claude Farny, Françoise Garnault, Yolande Maurette, Marcelle Pluet
Macbeth (1948)
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
The Magnificent Ambersons (1942)
Directed by | Orson Welles, Fred Fleck, Robert Wise | Cinematography by | Stanley Cortez, Jack MacKenzie, Orson Welles | Editing by | Robert Wise, Jack Moss, Mark Robson
Cameras | Mitchell Cameras
Chimes at Midnight (1965)
Directed by | Orson Welles | Cinematography by | Edmond Richard | Editing by | Elena Jaumandreu, Frederick Muller, Peter Parasheles
Cameras | ARRIFLEX Camera
The Stranger (1946)
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
A:D (2005)
Directed by | Timuçin Leflef | Cinematography by | Timuçin Leflef, Kristian O'Neill, Darren Rowan | Editing by | Timuçin Leflef
Cameras | Sony DCR-VX2000 Camera
Lenses | Sony Lenses
