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Film Project | 431 Titles

Film Project 3.33/5 6 Votes

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Joan of Arc (1948)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 145 Minutes

Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan

Starring | Ingrid Bergman, José Ferrer, Selena Royle

Cameras | Technicolor 3-Strip Camera

Shane (1953)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1 | 118 Minutes

Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo

Starring | Alan Ladd, Jean Arthur, Van Heflin

Cameras | Technicolor 3-Strip Camera

Shanghai Express (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 82 Minutes

Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan

Starring | Marlene Dietrich, Clive Brook, Anna May Wong

Badlands (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 94 Minutes

Directed by | Terrence Malick | Cinematography by | Tak Fujimoto, Stevan Larner, Brian Probyn | Editing by | Robert Estrin, Billy Weber

Starring | Martin Sheen, Sissy Spacek, Warren Oates

Cameras | Mitchell BNCR Camera

Bad Girl (1931)

Motion Picture | 2D | Film Project | Black & White | 90 Minutes

Directed by | Frank Borzage | Cinematography by | Chester A. Lyons | Editing by | Margaret Clancey

Starring | James Dunn, Sally Eilers, Minna Gombell

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

Star Wars: Episode V – The Empire Strikes Back (1980)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Irvin Kershner | Cinematography by | Peter Suschitzky | Editing by | T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

King Solomon’s Mines (1950)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 103 Minutes

Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters

Starring | Deborah Kerr, Stewart Granger, Richard Carlson

Cameras | Technicolor 3-Strip Camera

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Fiddler on the Roof (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 181 Minutes

Directed by | Norman Jewison | Cinematography by | Oswald Morris | Editing by | Antony Gibbs, Robert Lawrence

Starring | Topol, Norma Crane, Leonard Frey, Molly Picon

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision C Series Anamorphic Lenses

The Wizard of Oz (1939)

Motion Picture | 2D, 3D | Film Project | Black & White, Color | 1.37:1 | 102 Minutes

Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell

Starring | Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr

Cameras | Bell & Howell 2709 Camera, Technicolor 3-Strip Camera

Wilson (1944)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 154 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean

Starring | Alexander Knox, Charles Coburn, Geraldine Fitzgerald

Cameras | Technicolor 3-Strip Camera

Mean Streets (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 112 Minutes

Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin

Starring | Robert De Niro, Harvey Keitel, David Proval, Amy Robinson

Cameras | ARRIFLEX 35 BL Camera

Cries & Whispers (1972)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 91 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Siv Lundgren

Starring | Harriet Andersson, Liv Ullmann, Kari Sylwan

Bound for Glory (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 147 Minutes

Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones

Starring | David Carradine, Ronny Cox, Melinda Dillon, Gail Strickland

Cameras | ARRIFLEX 35 BL Camera, Éclair Caméflex Camera, Panavision Panaflex Camera

Lenses | Panavision Lenses

Reds (1981)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 195 Minutes

Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay

Starring | Warren Beatty, Diane Keaton, Edward Herrmann, Jerzy Kosinski

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Leave Her to Heaven (1945)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 110 Minutes

Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark

Starring | Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

Cameras | Technicolor 3-Strip Camera

A Farewell to Arms (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 80 Minutes

Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.

Starring | Gary Cooper, Helen Hayes, Adolphe Menjou

Napoleon (1927)

Motion Picture | 2D | Film Project | Black & White | 240 Minutes

Directed by | Abel Gance | Cinematography by | Léonce-Henri Burel, Jules Kruger, Joseph-Louis Mundwiller, Nikolai Toporkoff | Editing by | Abel Gance, Frank Hall

Starring | Albert Dieudonné, Vladimir Roudenko, Edmond Van Daële, Alexandre Koubitzky

Cameras | Debrie Parvo Model K Camera

Tabu: A Story of the South Seas (1931)

Motion Picture | 2D | Film Project | Black & White | 86 Minutes

Directed by | F.W. Murnau | Cinematography by | Floyd Crosby | Editing by | Arthur A. Brooks

Starring | Anne Chevalier, Matahi, Hitu, Bill Bambridge

Cameras | Debrie Parvo Model L Camera

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