Film Project | 431 Titles
She Wore a Yellow Ribbon (1949)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell BNC Camera
Raw Deal (1986)
Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Cooke Xtal Express Lenses
Romeo and Juliet (1968)
Directed by | Franco Zeffirelli | Cinematography by | Pasqualino De Santis | Editing by | Reginald Mills
Cameras | Mitchell BNCR Camera
Phantom of the Opera (1943)
Directed by | Arthur Lubin | Cinematography by | W. Howard Greene, Hal Mohr | Editing by | Russell F. Schoengarth
With Byrd at the South Pole (1930)
Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen
Cameras | Akeley 35mm Ciné Camera
The Great Waltz (1938)
Directed by | Julien Duvivier, Victor Fleming, Josef von Sternberg | Cinematography by | Joseph Ruttenberg | Editing by | Tom Held
Cameras | Mitchell Standard Camera
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
The Tenant (1976)
Directed by | Roman Polanski | Cinematography by | Sven Nykvist | Editing by | Françoise Bonnot
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Awful Truth (1937)
Mr. Deeds Goes to Town (1936)
Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick
Cameras | Mitchell Standard Camera
Anthony Adverse (1936)
Directed by | Mervyn LeRoy, Michael Curtiz | Cinematography by | Tony Gaudio | Editing by | Ralph Dawson
The Divine Lady (1928)
7th Heaven (1927)
Directed by | Frank Borzage | Cinematography by | Ernest Palmer, Joseph A. Valentine | Editing by | Barney Wolf
Cameras | Mitchell Standard Camera
The Good Earth (1937) 
Directed by | Sidney Franklin, Victor Fleming, Gustav Machatý, Sam Wood | Cinematography by | Karl Freund | Editing by | Basil Wrangell, Ben Lewis
Cameras | Mitchell Standard Camera
A Midsummer Night’s Dream (1935)
Directed by | William Dieterle, Max Reinhardt | Cinematography by | Hal Mohr | Editing by | Ralph Dawson
The Yearling (1946)
Directed by | Clarence Brown | Cinematography by | Arthur E. Arling, Charles Rosher, Leonard Smith | Editing by | Harold F. Kress
Cameras | Technicolor 3-Strip Camera
Never Say Never Again (1983)
Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
10 (1979)
Directed by | Blake Edwards | Cinematography by | Frank Stanley | Editing by | Ralph E. Winters
Lenses | Cooke Lenses
The Informer (1935)
Directed by | John Ford | Cinematography by | Joseph H. August | Editing by | George Hively
Cameras | Mitchell Standard Camera
From Russia with Love (1963)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
