Film Project | 296 Titles
Warlock (1989)
Directed by | Steve Miner | Cinematography by | David Eggby | Editing by | David Finfer
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
On the Battlefield (1972)
Directed by | Peter Biskind | Cinematography by | Peter Biskind | Editing by | Peter Biskind
Cameras | Bolex H16 RX4 Camera, Éclair NPR Camera
Lenses | Angenieux Lenses
Mean Streets (1973)
Directed by | Martin Scorsese | Cinematography by | Kent L. Wakeford | Editing by | Sidney Levin
Cameras | ARRIFLEX 35 BL Camera
Disaster Movie (2008)
Directed by | Jason Friedberg, Aaron Seltzer | Cinematography by | Shawn Maurer | Editing by | Peck Prior
An American Family (1973)
| Editing by | Pat Cook, Eleanor Hamerow, David Hanser, Ken Werner
Cameras | Éclair NPR Camera
Lenses | Angenieux Lenses
Back to the Future Part III (1990)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras
Back to the Future (1985)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Harry Keramidas, Arthur Schmidt
Crank (2006)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Adam Biddle | Editing by | Brian Berdan
Cameras | ARRIFLEX 435 Advanced Camera, Sony HDC-F950 Camera
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Lenses
Monty Python and the Holy Grail (1975)
Directed by | Terry Gilliam, Terry Jones | Cinematography by | Terry Bedford | Editing by | John Hackney
Cameras | ARRIFLEX 35 BL Camera
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Searching for Bobby Fischer (1993)
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses
Halloween (1978)
Directed by | John Carpenter | Cinematography by | Dean Cundey | Editing by | Charles Bornstein, Tommy Lee Wallace
Cameras | Panavision Panaflex Camera
Batman (1989)
Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera
Lenses | Panavision SL35-M 35 mm T1.9 Lens
