Film Project | 431 Titles
The Thief of Bagdad (1940)
Directed by | Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda, William Cameron Menzies | Editing by | Charles Crichton
Cameras | Technicolor 3-Strip Camera
The Mission (1986)
Directed by | Roland Joffé | Cinematography by | Chris Menges | Editing by | Jim Clark
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Xtal Express Lenses
Days of Heaven (1978)
Directed by | Terrence Malick | Cinematography by | Néstor Almendros | Editing by | Billy Weber
Cameras | Panavision Panaflex Camera
Lenses | Canon FD 55mm f1.2 AL, Panavision Lenses
The Killing Fields (1984)
Mississippi Burning (1988)
Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling
Cameras | Panavision Panaflex Gold Camera
Cleopatra (1934)
Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens
Cameras | Mitchell Standard Camera
Cleopatra (1963)
Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams
Cameras | Todd-AO 65mm Camera
Lenses | Todd-AO Lenses
Doctor Zhivago (1965)
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Skippy (1931)
A Letter to Three Wives (1949)
Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.
The Treasure of the Sierra Madre (1948)
Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks
Cameras | Mitchell Cameras
Sunrise (1927)
Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster
Cameras | Mitchell Standard Camera
The Quiet Man (1952)
Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray
Cameras | Mitchell Cameras
A Place in the Sun (1951)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck
The Graduate (1967)
The Grapes of Wrath (1940)
Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson
Cameras | Mitchell Cameras
The Lighthouse (2019)
Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford
Lenses | Bausch & Lomb Lenses, Pathé Lenses
The Black Swan (1942)
Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean
Cameras | Technicolor Cameras
Giant (1956)
Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck, Robert Lawrence
Cameras | Mitchell BNC Camera
The Birth of a Nation (1915)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh
Cameras | Pathé Cameras
